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Below you'll a great number of movies, alphabetic order. You get here when you've clicked on a Movieposter on the mainpaige Movies.

In this overview :

The 6th Day; 12 Monkeys; 2001 : A Space Odyssey; 2010 The Year We Make Contact; 2012; The Adjustment Bureau; Æon Flux; After Earth; A.I; Alien; Aliens; Alien3; Alien Resurrection; Another Earth; Apollo 13; Apollo 18; Armageddon; The Arrival; Avatar; The Avengers; AVP; AVP2; Back to the Future Trilogie; Barb Wire; Battlefield Earth; Battle Los Angeles; Battleship; The Black Hole; Blade Runner; The Book of Eli, Captain America : The First Avenger; Captain America: The Winter Soldier; Cargo & The Chronicles of Riddick.

The 6th Day
The 6th Day

The 6th Day [2000]


The 6th Day is a 2000 science fiction action film directed by Roger Spottiswoode, starring Arnold Schwarzenegger as family man Adam Gibson, who is cloned against his will in the future of 2015. Schwarzenegger received a salary of $25 million for his role in the film.



In 2015, cloning technology has been sufficiently developed as to allow the cloning of human organs and animals, but reproducing a complete human is explicitly forbidden by the "6th Day" laws, named for the day when God created man. Adam Gibson (Schwarzenegger) is a pilot who runs a charter helicopter business along with his friend Hank Morgan (Michael Rapaport). Michael Drucker (Tony Goldwyn), the owner of Replacement Technologies, a conglomerate that specialize in cloning, charters them for a skiing trip. Due to Drucker's financial and political influence, both Gibson and Morgan undergo blood and eye tests prior to his arrival to verify their identities and aptitude.


On the day of Drucker's arrival, the same as Gibson's birthday, Gibson finds that his family dog Oliver (which belongs to his daughter Clara (Taylor Anne Reid) has died, and Morgan offers to take his place as Drucker's pilot to allow Gibson to get his pet cloned. Gibson disagrees to planning on getting the dog cloned but takes a look in Re-Pet anyway and after learning about cloned pets, he decides to have a think about getting Oliver cloned later and gets a Sim-Pal for Clara as a gift for her on his birthday......


Box Office & Reception:


The film opened at #3 at the North American box office, making 13 million USD in its opening weekend. It made $96 million worldwide against its $82 million budget. The film received mixed reviews. The film-critics aggregate site Rotten Tomatoes listed a 40% positive rating. The 6th Day earned three Razzie Award nominations for Schwarzenegger: Worst Actor (as the real Adam), Worst Supporting Actor (as the clone of Adam) and Worst Screen Couple (Schwarzenegger as Adam and Schwarzenegger as the clone).



Director: Roger Spottiswoode

Writer: Cormac Wibberley; Marianne Wibberley

Stars: Arnold Schwarzenegger; Michael Rapaport; Tony Goldwyn; Michael Rooker; Sarah Wynter; Robert Duvall

12 Monkeys
12 Monkeys

Twelve Monkeys [1995]


12 Monkeys is a 1995 science fiction film directed by Terry Gilliam, inspired by Chris Marker's 1962 short film La jetée, and starring Bruce Willis, Madeleine Stowe,Brad Pitt, and Christopher Plummer.


After Universal Studios acquired the rights to remake La Jetée as a full-length film, David and Janet Peoples were hired to write the script. Under Terry Gilliam's direction, Universal granted the filmmakers a $29.5 million budget, and filming lasted from February to May 1995. The film was shot mostly in Philadelphia andBaltimore, where the story was set.

The film was released to critical praise and grossed approximately $168.4 million worldwide. Brad Pitt was nominated for the Academy Award for Best Supporting Actor, and won a Golden Globe for his performance. The film also won and was nominated for various categories at the Saturn Awards.



James Cole (Bruce Willis) is a convicted criminal living in a grim post-apocalyptic future. In 1996–1997, the Earth's surface was contaminated by a virus so deadly that it forced the surviving population to live underground. To earn a pardon, Cole allows scientists to send him on dangerous missions to the past to collect information on the virus, thought to be released by a terrorist organization known as the Army of the Twelve Monkeys. If possible, he is to obtain a pure sample of the original virus so a cure can be made. Throughout the film, Cole is troubled with recurring dreams involving a chase and a shooting in an airport.

On Cole's first trip, he arrives in Baltimore in 1990, not 1996 as planned. He is arrested and hospitalized in a mental institution on the diagnosis of Dr. Kathryn Railly (Madeleine Stowe).


There, he encounters Jeffrey Goines (Brad Pitt), a fellow mental patient with animal rights and anti-consumerist leanings whose father is a renowned virologist. Cole tries unsuccessfully to leave a voicemail on a number monitored by the scientists in the future. After a failed escape attempt, Cole is restrained and locked in a cell, but then disappears, returning to the future. Back in his own time, Cole is interviewed by the scientists, who play a distorted voice mail message which gives the location of the Army of the Twelve Monkeys and states that they are responsible for the virus. He is also shown photos of numerous people, including Goines. The scientists then send him back to 1996.....


Director: Terry Gilliam

Writer: David Peoples; Janet Peoples

Stars: Bruce Willis; Madeleine Stowe; Brad Pitt; Christopher Plummer

2001 : A Space Odyssey
2001 : A Space Odyssey

2001: A Space Odyssey [1968]


2001: A Space Odyssey is a 1968 science fiction film produced and directed by Stanley Kubrick. It was co-written by Kubrick and Arthur C. Clarke, partially inspired by Clarke's short story "The Sentinel". The story deals with a series of encounters between humans and mysterious black monoliths that are apparently affecting human evolution, and a space voyage to Jupiter tracing a signal emitted by one such monolith found on the moon. Keir Dullea and Gary Lockwood star as the two astronauts on this voyage, with Douglas Rain as the voice of the sentient computer HAL 9000 who has full control over their spaceship. The film is frequently described as an "epic film", both for its length and scope, and for its affinity with classical epics.


Financed and produced by the American studio Metro-Goldwyn-Mayer, the film was made almost entirely in England, using both the studio facilities of MGM's subsidiary "MGM British" (among the last movies to be shot there before its closure in 1970) and those of Shepperton Studios, mostly because of the availability of much larger sound stages than in the United States. The film was also co-produced by Kubrick's own "Stanley Kubrick Productions". Kubrick, having already shot his previous two films in England, decided to settle there permanently during the filming of Space Odyssey. Though Space Odyssey was released in America several months before its release in England, and Encyclopædia Britannica calls this an American film, other sources refer to it as an American, British, or American-British production.


Thematically, the film deals with elements of human evolution, technology, artificial intelligence, and extraterrestrial life. It is notable for its scientific accuracy, pioneering special effects, ambiguous imagery that is open-ended to a point approaching surrealism, sound in place of traditional narrative techniques, and minimal use of dialogue. The film has a memorable soundtrack—the result of the association that Kubrick made between the spinning motion of the satellites and the dancers of waltzes, which led him to use The Blue Danube waltz by Johann Strauss II, and the famous symphonic poem Also sprach Zarathustra by Richard Strauss, to portray the philosophical evolution of Man theorized in Nietzsche's work of the same name.


Despite initially receiving mixed reactions from critics and audiences alike, 2001: A Space Odyssey garnered a cult following and slowly became a box office hit. Some years after its release, it eventually became the highest grossing picture from 1968 in North America. Today it is recognized by many critics, filmmakers, and audiences as one of the greatest and most influential films ever made. The 2002 Sight & Sound poll of critics ranked it among the top ten films of all time, and in 2010, it was named the No. 1 greatest film ever made by The Moving Arts Film Journal. 


It was nominated for four Academy Awards, and received one for visual effects. In 1991, it was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in theNational Film Registry. In 1984, a sequel directed by Peter Hyams was produced entitled 2010: The Year We Make Contact.


At first, Kubrick and Clarke privately referred to their project as How the Solar System Was Won as an homage to MGM's 1962 Cinerama epic, How the West Was Won. However, Kubrick chose to announce the project, in a press release issued on February 23, 1965, as Journey Beyond The Stars. "Other titles which we ran up and failed to salute were Universe, Tunnel to the Stars, and Planetfall", Clarke wrote in his book The Lost Worlds of 2001."


It was not until eleven months after we started—April 1965—that Stanley selected 2001: A Space Odyssey. As far as I can recall, it was entirely his idea." Intending to set the film apart from the standard "monsters and sex" type of science-fiction movies of the time, Kubrick used Homer's The Odyssey as inspiration for the title. "It occurred to us", he said, "that for the Greeks the vast stretches of the sea must have had the same sort of mystery and remoteness that space has for our generation"


Director: Stanley Kubrick

Writers: Stanley Kubrick; Arthur C. Clarke

Cast : Keir Dullea; Gary Lockwood; William Sylvester

2010 The Year We Make Contact
2010 The Year We Make Contact

2010: The Year We Make Contact [1984]


2010 (also known as 2010: The Year We Make Contact) is a 1984 American science fiction film written and directed by Peter Hyams. It is a sequel to the 1968 film2001: A Space Odyssey, and is based on Arthur C. Clarke's novel 2010: Odyssey Two, a literary sequel to the film.



Nine years ago, the American Discovery One's mission to Jupiter mysteriously failed. As depicted in 2001: A Space OdysseyDiscovery's HAL 9000 computer—or "Hal" (Douglas Rain)—malfunctioned, killing four astronauts. The fifth, David Bowman, disappeared into a large, alien Monolith orbiting the planet. Heywood Floyd (Roy Scheider), head of the National Council on Astronautics, received the blame for the failure and left NCA.


Although tension is growing between the United States and the Soviet Union, both nations prepare space missions to determine what happened to Discovery. Although the Soviet Alexei Leonov will be ready before the American spaceship, the Soviets need American astronauts to help investigate Hal's malfunction and to board an American spacecraft. The US government agrees to a joint mission since Discovery will crash into Jovian moon Io before its ship is ready. Floyd, Discovery designer Walter Curnow (John Lithgow), and HAL 9000's creator Chandra (Bob Balaban) join the Russian mission.....






2012 [2009]


2012 is a 2009 American science fiction disaster film directed by Roland Emmerich. It stars John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Thandie Newton,Danny Glover and Woody Harrelson. It was produced by Emmerich's production company, Centropolis Entertainment and distributed by Columbia Pictures. Filming began in August 2008 in Vancouver. Although it received generally mixed reviews, its worldwide theatrical revenue reached about $770 million.


The film includes references to Mayanism, the Mesoamerican Long Count calendar and the 2012 phenomenon in its portrayal of cataclysmic events unfolding in 2012.

Emmerich has announced that 2012 will be his last film involving disasters.



In 2009, Adrian Helmsley (Chiwetel Ejiofor), an American geologist, visits astrophysicist Dr. Satnam Tsurutani (Jimi Mistry) in India and learns that neutrinos from a massive solar flare are causing the temperature of the Earth's core to increase. Adrian informs White House Chief of Staff Carl Anheuser (Oliver Platt) and United States President Thomas Wilson (Danny Glover) that this will trigger a catastrophic chain of natural disasters.


In 2010, Wilson, along with other international leaders, begins a secret project intended to ensure humanity's survival. Approximately 400,000 people are chosen to board ships called "arks" that are constructed at Cho Ming, Tibet, in the Himalayas. Additional funding for the project is raised by selling tickets to the private sector for€1 billion per person. By 2011, humanity's valuable treasures are moved to the Himalayas under the guise of protecting them from terrorist attacks with the help of art expert/First Daughter Dr. Laura Wilson (Thandie Newton) when she meets with the Louvre director Roland Picard (Patrick Bauchau).


In 2012, Jackson Curtis (John Cusack) is a science fiction writer in Los Angeles who works part-time as a limousine driver for billionaire Yuri Karpov (Zlatko Burić). Jackson's ex-wife Kate (Amanda Peet) and their children Noah (Liam James) and Lilly (Morgan Lily) live with Kate's boyfriend, plastic surgeon and amateur pilot Gordon Silberman.....





The Adjustment Bureau

The Adjustment Bureau [2011]


The Adjustment Bureau is a 2011 American romantic science fiction thriller film loosely based on the Philip K. Dick short story, "Adjustment Team". The film was written and directed by George Nolfi and stars Matt Damon and Emily Blunt. The cast also includes Anthony Mackie, John Slattery, Michael Kelly, and Terence Stamp.




In 2006, Brooklyn Congressman David Norris unsuccessfully runs for the United States Senate. While rehearsing his concession speech, David meets Elise Sellas. Inspired by her, David delivers an unusually candid speech that is well-received, making him a favorite for the 2010 Senate race.


A month later, David prepares for a new job. At Madison Square Park, near David's home, Harry Mitchell receives an assignment from Richardson, his boss: ensure David spills coffee on his shirt by 7:05 AM so he misses his bus. Mitchell falls asleep and misses David, who encounters Elise on the bus and gets her phone number. David arrives at work to find his friend Charlie Traynor frozen in time and being examined by unfamiliar men in suits. David attempts to escape, but is incapacitated and taken to a warehouse. Richardson explains he and his men are from the Adjustment Bureau. They ensure people's lives proceed as determined by "the plan", a complex document Richardson attributes to "the Chairman".


The Bureau confiscates and destroys the note that contains Elise's phone number, and David is warned that if he ever reveals the existence of the Bureau to anyone else, he will be "reset"—akin to being lobotomized—and that he is not meant to meet Elise again.

Later, after boarding a bus, David encounters Elise; he tells her he had spent three years riding that bus to work, hoping to see her again. He learns that she dances for Cedar Lake Contemporary Ballet. The Bureau tries to stop him from renewing their relationship by altering their schedules. David races across town, fighting the Bureau's abilities to "control his choices" to ensure he will meet Elise. During the chase the Bureau uses ordinary doorways to travel instantly to locations many blocks away. Senior official Thompson takes over David's adjustment and takes him to the warehouse, where David argues he has the right to choose his own path.


Thompson says humanity received free will after the height of the Roman Empire, but then brought the Dark Ages upon itself. The Bureau took control again and created the Renaissance and the Enlightenment, but when free will returned in 1910 it resulted in the world wars and the Cold War, again forcing the Bureau to retake control and eliminate free will. Thompson implies that without Elise's influence David might become President of the United States and benefit the world, and warns that if he stays with her, he will ruin both of their futures. Thompson causes Elise to sprain her ankle at a performance to demonstrate his power, and David abandons her at the hospital to save them from the fate Thompson described.


Eleven months later, Charlie tells David of Elise's imminent wedding as he campaigns again. Harry contacts David via secret meetings in the rain or near water, which prevents the Bureau from tracking them. Harry reveals that Thompson exaggerated the negative consequences of David and Elise's relationship, and teaches David how to use doors to teleport, and evade the Bureau's adjustments. Just before the wedding David reaches Elise, reveals the Bureau's existence to her, and shows her how he travels through doors. The Bureau pursues them across New York City. David decides to find the Chairman to end the chase; Elise wavers briefly, but accompanies David. They enter the Bureau's offices and evade its forces.


David and Elise find themselves trapped and surrounded on the observation deck of the GE Building. They mutually declare their love and kiss before David can be reset. When they let go of each other, the Bureau members have gone. Thompson appears but is interrupted by Harry, who shows him a revised plan from the Chairman: one that is blank starting with the current moment. After commending them for their devotion to each other, Harry tells the couple they are free to leave. The film concludes with David and Elise walking through the streets, as Harry speculates that the Chairman's plan may be to prepare humanity so it can write its own plans.


Reception & Box-office:


Critics generally gave the film positive reviews. Rotten Tomatoes gives the film a score of 72% based on 237 reviews, with an average rating of 6.6 out of 10. Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, describing it as "a smart and good movie that could have been a great one, if it had been a little more daring. I suspect the filmmakers were reluctant to follow its implications too far." The New York Times called the film "a fast, sure film about finding and keeping love across time and space . . . [that] has brightened the season with a witty mix of science-fiction metaphysics and old-fashioned romance."


In its opening weekend in the United States (March 4–6, 2011), The Adjustment Bureau grossed $21,157,730, which was the second most of any film that weekend, behind Rango. Its total worldwide gross is $127,869,379 as of December 18, 2011.





Aeon Flux [2005]


Æon Flux is a 2005 science fiction film directed by Karyn Kusama. The film is a loose adaptation of the animated science fiction television series of the same name, which was created by animator Peter Chung (who had a minor role in this film version of his work) and stars Charlize Theron as the title character. The film was released on December 2, 2005, by Paramount Pictures.


Paramount Pictures chose not to screen Æon Flux for critics prior to its release. The film opened at No. 2 at the U.S. Box office making $12,661,112 USD in its opening weekend, held off the top spot by Harry Potter and the Goblet of FireAeon Flux suffered a decline of 63.97% in box office earnings, going down to No. 6 the following week. On February 9, 2006, it completed its theatrical run, grossing a domestic take of $25,874,337 and a worldwide box office total of $52,304,001. Critical reaction was mainly negative. The film holds a 10% 'rotten' rating on Rotten Tomatoes, with the consensus stating "Aeon Flux lacks the gravity-defying pace of its animated predecessor, and, despite some flash, is largely a dull affair.", and a score of 36 out of 100 on Metacritic. The film was considered a financial failure as the film's earnings were lower than its $62 million budget.


Although Peter Chung was optimistic about the film and was impressed with the sets upon visiting the production, he ultimately described it as "a travesty," adding: "I was unhappy when I read the script four years ago; seeing it projected larger than life in a crowded theatre made me feel helpless, humiliated and sad. ... They claim to love the original version; yet they do not extend that faith to their audience. No, they will soften it for the public, which isn't hip enough to appreciate the raw, pure, unadulterated source like they do." Screenwriters Phil Hay and Matt Manfredi claimed in an interview that the film was re-cut by the studio prior to release and that original director's cut contains nearly 30 minutes of additional footage, which Chung acknowledged in his criticism of the film.




In a post-apocalyptic future, after a virus in 2011 wiped out 99% of the Earth's population, all the survivors inhabit Bregna, a walled city-state, which is ruled by a congress of scientists. Although Bregna is idyllic, people are disappearing and everyone is having bad dreams. Æon Flux is a member of the 'Monicans', an underground rebel organization who communicate through telepathy-enabling technology and are led by The Handler. After a mission to destroy a surveillance station, Æon comes home to find her sister Una has been killed for supposedly being mistaken for a Monican. When Æon is sent on a mission to kill the government's leader, Trevor Goodchild, she discovers that both she and the Monicans are being manipulated by council members in a secret coup.


This discovery causes Æon to question the origin and destiny of everyone in Bregna; and in particular, her own personal connection to Trevor. It turns out that every person in Bregna is actually a clone, grown from recycled DNA. With the dead constantly being reborn into new individuals and still bearing partial memories of their previous lives, there has been an increase in the populace's troubling dreams. Recycling and cloning became necessary since the original virus antidote made humans infertile. Trevor's experiments, and of all his clone ancestors, have been trying to reverse the infertility. Æon learns that she is a clone of the original Trevor's wife, Katherine and is the first Katherine clone in over 400 years.


One of Trevor's experiments, Una, had been successful as she was pregnant. However, Oren Goodchild, Trevor's brother, had her killed and had Trevor's research destroyed so he could stay in power forever through his clones. In a confrontation with Trevor and Æon, Oren reveals that humanity itself has corrected the problem and that some women were becoming naturally pregnant. Oren had them all killed to maintain the Goodchild reign. Æon is now forced to go up against both her former allies, who want to kill Trevor, and Oren.


She manages to convince the other Monicans to ignore The Handler and help her instead to kill Oren and his men. Æon goes to destroy the facility where the cloning DNA is stored - The Relicle, a dirigible constantly floating in the sky. There she meets the old man who monitors everything. She also discovers he preserved her DNA for years, even though Oren ordered it to be destroyed so Katherine could not influence Trevor in any way. The dirigible crashes into the city wall breaking it down to reveal, for the first time in centuries, a lush and fertile land as opposed to the wasteland they were taught about.


Directed: Karyn Kusama

Written: Phil Hay; Matt Manfredi

Stars: Charlize Theron; Sophie Okonedo; Marton Csokas; Jonny Lee Miller; Frances McDormand; Pete Postlethwaite

After Earth [2013]


After Earth is a 2013 American science fiction adventure film directed by M. Night Shyamalan, which he co-wrote with Gary Whitta, based on an original story idea by Will Smith.


A military father and his teenage son crash land on Earth, one thousand years after cataclysmic events forced humanity to abandon Earth for a new home planet. The son must save his dying father, by trekking alone across the hostile terrain, encountering highly evolved creatures and a ruthless alien beast along the way. His goal is to recover a rescue-beacon and also prove that he can live up to his father's reputation as a legendary soldier. It is the second film (the first being The Pursuit of Happyness) that stars real-life father and son Will and Jaden Smith; with Will Smith also producing via his company Overbrook Entertainment and the distribution by Columbia Pictures.


The film was released in IMAX and is the first film from Sony Pictures to be both shot and presented in 4K resolution. It received negative reviews, being criticized by the lack of originality, acting and visual effects received mixed reaction.


Plot opening


In the near future, an environmental cataclysm forces the human race to abandon Earth and settle on a new world, Nova Prime. One thousand years later, The Ranger Corps, a peacekeeping organization commanded by General Cypher Raige (Will Smith), comes into conflict with the S'krell, alien creatures who intended to conquer Nova Prime. Their secret weapons are the Ursas, large, blind predatory creatures that hunt by "sensing" fear. The Rangers struggle against the Ursas until Cypher learns how to completely suppress his fear, a technique called "ghosting". After teaching this technique to the other Rangers, he leads the Ranger Corps to victory. Meanwhile, Cypher's son Kitai Raige (Jaden Smith) blames himself for the death of his sister Senshi (Zoë Kravitz) at the hands of an Ursa. Kitai trains to become a Ranger like Cypher, but his application is rejected due to his recklessness, and Cypher views him as a disappointment. Kitai's mother Faia (Sophie Okonedo) convinces Cypher to take Kitai on his last voyage before retirement....


Box office


During its opening weekend, After Earth took in $27,520,040 in box office receipts in North America and $2,535,685 in South Korea. Sony Pictures projected a launch of around $38 million, but the actual number was 16.6% lower than the lowest pre-release expectation of $33 million. It finished in third place behind Fast & Furious 6, an action film which earned $35,164,440 in its second week, and Now You See Me, a caper film that opened to $29,350,389. On Thursday opening night, the caper film made $1.5 million estimated at 2,100 screens from 7 pm, while After Earth made $1 million estimated at 3,401 locations from 9 pm.


Taking into account the popularity of principal actor Will Smith, the disappointing finish led The Wall Street Journal to call it a "flop". Ray Subers of Box Office Mojo noted the $27 million weekend placed it between two sci-fi flops of 2012 films with 200 million-plus budgets, Battleship ($25.5 million) and John Carter ($30.2 million), and also drew half of the co-stars' previous openings, Will Smith's Men in Black 3 ($54.6 million) and Jaden Smith's The Karate Kid ($55.7 million). Scott Mendelson from Forbes argued that Sony made a mistake of hiding M. Night Shyamalan as they promoted the film because for better or worse, the general public knows who he is and "His name on the marquee reflects that you’re not going to get a conventional genre film, that there may be something else up its sleeve."

Sony Pictures spokesman Steve Elzer said a weekend take of about $30 million in the United States and Canada would be a solid number for a movie that is not a branded sequel. Sony distribution chief Rory Bruer said "Certainly we would have liked to have done more, but this was always going to be a worldwide play." The Hollywood Reporter reported Sony insiders estimate a potential loss at about $20 million if the film does not gross high overseas, though estimates of top executives at several rival studios are much higher. On Jimmy Kimmel Live!, Will Smith admitted he was also disappointed with the box office performance and joked "Here's how I think about it Jimmy, let's be honest. Three is the new one. You know how many ones it takes to make a three?" and "It's been almost, like, two decades since I had a movie that wasn’t number one! ... That's over now, buddy! Thanks!"

On the worldwide release the following week, After Earth took in an estimated $45.5 million in 60 overseas markets, narrowly beating Fast & Furious 6 estimates of $45.3 million for the No. 1 spot at the international box office.Including the film's launch in South Korea, After Earth made an estimated total of $48.6 million at the international box office, bringing its worldwide gross to an estimated $95,192,000. Sources for Sony Pictures International Releasingsaid the overall launch was bigger than debuts in the same territories of Oblivion ($45.1 million), The Last Airbender ($42.7 million) and Jaden Smith vehicle The Karate Kid ($32.3 million). Sony distribution chief Rory Bruer said that Sony was happy with the overseas opening and expects much of the film's ticket sales to come from international markets and "It definitely was the exciting start we were looking for internationally."


Director: M. Night Shyamalan

Writers: Gary Whitta; M. Night Shyamalan

Stars: Jaden Smith; Will Smith

A.I Artificial Intelligence
A.I Artificial Intelligence

A.I. Artificial Intelligence [2001] 


A.I. Artificial Intelligence, also known as A.I., is a 2001 science fiction drama film directed, produced and co-written by Steven Spielberg. Based on Brian Aldiss'short story "Super-Toys Last All Summer Long", the film stars Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards, Jake Thomas and William Hurt. Set sometime in the future, A.I. tells the story of David, a child-like android uniquely programmed with the ability to love.


Development of A.I. originally began with director Stanley Kubrick in the early 1970s. Kubrick hired a series of writers up until the mid-1990s, including Brian Aldiss,Bob Shaw, Ian Watson and Sara Maitland. The film languished in development hell for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would believably portray. In 1995, Kubrick handed A.I. to Steven Spielberg, but the film did not gain momentum until Kubrick's death in 1999. Spielberg remained close to Watson's film treatment for the screenplay. A.I. was greeted with generally positive reviews from critics. This film was dedicated to Kubrick's memory after the end credits, saying "For Stanley Kubrick".


In the not-so-far future the polar ice caps have melted and the resulting raise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching to the point of creating realistic robots (called mechas) to serve him.


One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. David is living happily with Monica and her husband, but when their real son returns home after a cure is discovered, his life changes dramatically.


Director: Steven Spielberg

Writers: Brian Aldiss [short story "Supertoys Last All Summer Long"]; Ian Watson

Stars: Haley Joel Osment; Jude Law; Frances O'Connor; Ken Leung



Alien [1979]


Alien is a 1979 science fiction horror film directed by Ridley Scott and starring Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt,Ian Holm and Yaphet Kotto. The film's title refers to its primary antagonist: a highly aggressive extraterrestrial creature which stalks and kills the crew of a spaceship.Dan O'Bannon wrote the screenplay from a story by him and Ronald Shusett, drawing influence from previous works of science fiction and horror. The film was produced through Brandywine Productions and distributed by 20th Century Fox, with producers David Giler and Walter Hill making significant revisions and additions to the script. The titular Alien and its accompanying elements were designed by Swiss surrealist artist H. R. Giger, while concept artists Ron Cobb and Chris Foss designed the human aspects of the film.


Alien garnered both critical acclaim and box office success, receiving an Academy Award for Best Visual Effects, Saturn Awards for Best Science Fiction Film, Best Direction for Scott, and Best Supporting Actress for Cartwright, and a Hugo Award for Best Dramatic Presentation, along with numerous other award nominations. It has remained highly praised in subsequent decades, being inducted into the National Film Registry of the Library of Congress in 2002 for historical preservation as a film which is "culturally, historically, or aesthetically significant". In 2008 it was ranked as the seventh-best film in the science fiction genre by the American Film Institute, and as the thirty-third greatest movie of all time by Empire magazine.


The success of Alien spawned a media franchise of novels, comic books, video games, and toys, as well as three sequel and two prequel films. It also launched Weaver's acting career by providing her with her first lead role, and the story of her character Ripley's encounters with the Alien creatures became the thematic thread that ran through the sequels Aliens (1986), Alien 3 (1992), and Alien Resurrection (1997). The subsequent prequels Alien vs. Predator (2004) and Aliens vs. Predator: Requiem (2007) abandoned this theme in favor of a crossover with the Predator franchise.


Director: Ridley Scott

Writers: Dan O'Bannon; Ronald Shusett; Dan O'Bannon

Stars: Tom Skerritt; Sigourney Weaver; Veronica Cartwright; Harry Dean Stanton; John Hurt;
Ian Holm; Yaphet Kotto



Aliens [1986]


Aliens is a 1986 science fiction action film directed by James Cameron and starring Sigourney Weaver, Carrie Henn, Michael Biehn, Lance Henriksen, William Hope, and Bill Paxton. A sequel to the 1979 film AlienAliens is set 57 years after the first film with Weaver's character Ellen Ripley returning to the planet LV-426 where she first encountered the hostile Alien. This time she is accompanied by a unit of Colonial Marines.


Aliens' action-adventure tone was in contrast to the horror motifs of the original Alien. Following the success of The Terminator (1984), which helped establish Cameron as a major action director, 20th Century Fox greenlit Aliens with a budget of approximately $18 million. It was filmed in England at Pinewood Studios, and at a decommissioned power plant.


Ellen Ripley (Sigourney Weaver), the only survivor of the space freighter Nostromo, is rescued and revived after drifting for fifty-seven years in stasis. At an interview before a panel of executives from her employer, the Weyland-Yutani Corporation, her testimony regarding the Alien is met with extreme skepticism as no physical evidence of the creature survived the destruction of the Nostromo. Ripley loses her space flight license as a result of her "questionable judgment" and learns that LV-426, the planet where her crew first encountered the Alien eggs, is now home to a terraforming colony.


Some time later, Ripley is visited by Weyland-Yutani representative Carter Burke (Paul Reiser) and Lieutenant Gorman (William Hope) of the Colonial Marines, who inform her that contact has been lost with the colony on LV-426. The company decides to dispatch Burke and a unit of marines to investigate, and offers to restore Ripley's flight status and pick up her contract if she will accompany them as a consultant. Traumatized by her previous encounter with the Alien, Ripley initially refuses to join, but accepts when she realizes that the mission will allow her to face her fears......


Bron : Wikipedia


Director: James Cameron

Writers: James Cameron; David Giler; Walter Hill

Stars: Sigourney Weaver; Carrie Henn; Michael Biehn; Lance Henriksen; Paul Reiser

Alien 3
Alien 3


Alien 3 [1992]


Alien³ is a 1992 science fiction horror film, the third installment in the Alien franchise, and the first film directed by David Fincher. It is preceded byRidley Scott's Alien and James Cameron's Aliens. The story has an escape pod from the Colonial Marine starship Sulaco in Aliens crash-landing on a refinery/prison planet, killing everyone on board except LieutenantEllen Ripley (Sigourney Weaver). Unknown to Ripley, an Alien egg was aboard the ship. It is born in the prison and begins a killing spree.


Alien 3 had a difficult production, with various screenwriters and directors getting involved in the project, and shooting even started without a finished script. The film was the big-budget debut of a young David Fincher, who was brought into the project very late in its development, after a proposed version written by Vincent Ward at the helm fell through. Fincher had little time to prepare, and the experience making the film proved agonizing for him, as he had to endure incessant creative interference from the studio and had to shoot the film without having a definite script.


The added weight was also to create a film worthy of the work of the two revered directors that had gone before him, James Cameron and Ridley Scott. Upon completion, the studio dismantled and reworked it without Fincher's consent, including releasing a teaser trailer that suggested the film would take place on Earth. The film was released to mixed reviews, and while not very successful at the United States box office, it earned over $100 million outside of North America.


Following the events in Aliens, the Colonial Marine spaceship Sulaco experiences an onboard fire and launches an escape pod containing Ellen Ripley (Sigourney Weaver), Newt, Hicks, and the damaged android Bishop who are all in cryonic stasis. During the launch, the ship's medical scans of the crew's cryotubes show an Alien facehugger attached to one of the crewmembers.


The pod then crashes on Fiorina 'Fury' 161, a foundry facility and penal colony inhabited by all-male inmates with "double-Y" chromosome patterns and histories of physical and sexual violence. After some inmates recover the pod and its passengers, an Alien facehugger is seen approaching the prison dog. Ripley is taken in and awakened by Clemens (Charles Dance), the prison doctor, and is told she is the only survivor of the crash. Many of the ex-inmates have embraced an apocalyptic, millenarian version of Christianity, and Ripley is warned by the prison warden, Harold Andrews, (Brian Glover) that her presence among them may have extremely disruptive effects....


Director: David Fincher

Writers:David Giler; Walter Hill; Larry Ferguson

Stars: Sigourney Weaver; Charles S. Dutton; Charles Dance; Brian Glover; Ralph Brown; Paul McGann; Danny Webb; Pete Postlethwaite; Lance Henriksen; Leon Herbert; Peter Guinness    


Alien Resurrection
Alien Resurrection

Alien Resurrection [1997]


Alien Resurrection is a science fiction film released in 1997 by 20th Century Fox. Directed by French filmmaker Jean-Pierre Jeunet, the film is based on a screenplay by Joss Whedon. With a budget of $70 million, Alien Resurrection was the first film in the Alien series to be filmed outside of England at Fox studios in Los Angeles, California.


Set 200 years after the preceding installment, Alien 3, Ellen Ripley (Sigourney Weaver) is cloned and an Alien queen is surgically removed from her body. The United Systems Military hopes to breed Aliens to study and research on the spaceship USM Auriga, using human hosts kidnapped and delivered to them by a group of mercenaries. The Aliens escape their enclosures, while Ripley and the mercenaries attempt to escape and destroy the Auriga before it reaches its destination, Earth.


Alien Resurrection was released on November 26, 1997 and received mixed reviews from film critics. Roger Ebert of the Chicago Sun-Times felt "there is not a single shot in the movie to fill one with wonder", while Desson Thomson of The Washington Post said the film "satisfactorily recycles the great surprises that made the first movie so powerful"


Director: Jean-Pierre Jeunet

Writer: Dan O'Bannon; Ronald Shusett Screenplay: Joss Whedon

Stars: Sigourney Weaver; Winona Ryder; Ron Perlman; Dominique Pinon; Gary Dourdan; Michael Wincott; Brad Dourif; Leland Orser



Another Earth [2011]


Another Earth is a 2011 American science fantasy/drama film directed by Mike Cahill in his feature film debut. The film stars William Mapother and Brit Marling. It premiered at the 27th Sundance Film Festival in January 2011 and is being distributed by Fox Searchlight Pictures.


Another Earth had its world premiere at the 27th Sundance Film Festival in January 2011. It was released in dramatic competition. Variety reported, "[It] has been deemed one of the more highly praised pics of the fest as it received a standing ovation after the screening and strong word of mouth from buyers and festgoers." The distributorFox Searchlight Pictures won distribution rights to the film in a deal worth $1.5 million to $2 million, beating out other distributors including Focus Features and The Weinstein Company. Fox Searchlight is the distributor of Another Earth in the United States, Canada, and other English-speaking territories. The film had a limited release in the United States and Canada on July 22, 2011, expanding to a wide release in ensuing months.


William Mapother consented to work on Another Earth for $100 a day. When asked why he agreed to join the cast, considering the "notoriously hit or miss" nature of indie movies, Mapother replied that he was drawn by the film's subject and by the other names involved in the project. At Mapother's insistence, he and the production team worked extensively on the scenes of John and Rhoda in order to develop John's character in the film. Another Earth received fairly positive reviews from critics, 63% of which were positive according to movie review aggregator Rotten Tomatoes.




Rhoda Williams (Brit Marling) is a high school student who has been recently accepted to MIT. She celebrates with friends and drives home intoxicated. Listening to a story on the radio about a planet that looks just like Earth, she looks out her car window up to the stars and inadvertently slams her car through a stopped car at an intersection, putting John Burroughs (William Mapother) in a coma and killing his wife and son. Rhoda is a minor, so her identity is not revealed to John. After serving her prison sentence, Rhoda does not go to MIT, but becomes a janitor at a local school, wanting to physically clean things with her hands but not do too much thinking.


After cleaning a school for a while and hearing more news stories about the mirror Earth, Rhoda visits John's house after he has recovered, thinking she will apologize for the harm she did to him. He answers the door and she loses her nerve. Instead, she pretends to be a maid offering a free day of cleaning as a marketing tool for Maid in Haven (a New Haven based maid service). John, who has dropped out of his Yale music faculty position and is now living in a depressed and dirty stupor, agrees to Rhoda's offer. When she finishes, John, who still does not know she is the person who killed his wife and son, asks her to come back next week. Rhoda tells him someone will come, but it may not be her.


Rhoda returns to clean and develops a caring relationship with John that eventually becomes more significant and romantic. They like each other and are intelligent and compatible conversationally. Rhoda genuinely wants to be of service to him.

Rhoda enters an essay contest sponsored by a millionaire entrepreneur who is offering a civilian space flight to the mirror Earth. Rhoda's essay is selected and she is chosen to be one of the first explorers to travel to the other Earth. Rhoda tells John she has won the space flight, but he asks her not to go. However, when she tells him that she was the one who killed his wife and son, he forces her out of his house.


Rhoda hears in a telecast the citizens of the mirror Earth were identical to those on her Earth in every way until the moment they learned of the others' existence. From that point on, the identical people on the different Earths probably began to deviate in small ways, changing their actions. Rhoda hopes her identical self on the other Earth did not make the mistakes she made on the night of the accident.


Rhoda returns to John and gives him the ticket to the other Earth, telling him enough information to give him a small hope that his wife and son might be alive on that planet. John accepts the gift and becomes one of the first civilian space travelers to the other Earth.

Four months later, Rhoda looks up at the sky where Earth 2 is now gone. She approaches her back door and sees her twin from Earth 2 standing in front of her.


Director: Mike Cahill

Writer: Mike Cahill; Britt Marling

Stars: William Mapother
Brit Marling

Apollo 13 [1995]


Apollo 13 is a 1995 American docudrama film directed by Ron Howard. The film stars Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, Kathleen Quinlan and Ed Harris. The screenplay by William Broyles, Jr. and Al Reinert, that dramatizes the 1970 Apollo 13 lunar mission, is an adaptation of the book Lost Moon: The Perilous Voyage of Apollo 13 by astronaut Jim Lovelland Jeffrey Kluger.


The film depicts astronauts Lovell, Jack Swigert and Fred Haise aboard Apollo 13 for America's third Moon landing mission. En route, an on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA's flight controllers to abort the Moon landing, and turning the mission into a struggle to get the three men home safely.


Howard went to great lengths to create a technically accurate movie, employing NASA's technical assistance in astronaut and flight controller training for his cast, and even obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the "weightlessness" experienced by the astronauts in space. Released in the United States on June 30, 1995, Apollo 13 garnered critical acclaim and was nominated for many awards, with nine Academy Awards including Best Picture; it won for Best Film Editing and Best Sound. In total, the film grossed over $355 million worldwide during its theatrical releases.


Plot Intro:


On July 20, 1969, veteran astronaut Jim Lovell (Tom Hanks) hosts a party for other astronauts and their families, who watch on television as their colleague Neil Armstrong takes his first steps on the Moon during the Apollo 11 mission. Lovell, who orbited the Moon on Apollo 8, tells his wife Marilyn (Kathleen Quinlan) that he intends to return, to walk on its surface.


On October 30, while giving a VIP tour of NASA's Vehicle Assembly Building, Lovell is informed by his boss Deke Slayton that he and his crew will fly the Apollo 13 mission instead of Apollo 14. Lovell, Ken Mattingly (Gary Sinise), and Fred Haise (Bill Paxton) begin training for their new mission. Days before launch, it is discovered that Mattingly was exposed to measles, and the flight surgeon demands his replacement with Mattingly's backup, Jack Swigert (Kevin Bacon), as a safety precaution. Lovell resists breaking up his team, but relents after Slayton gives him the choice of either accepting the switch, or else being bumped to a later mission....


Cast Training & Filming:


To prepare for their roles in the film, Hanks, Paxton, and Bacon all attended the U.S. Space Camp in Huntsville, Alabama. While there, astronauts Jim Lovell and David Scott, commander of Apollo 15, did actual training exercises with the actors inside a simulated Command Module and Lunar Module. The actors were also taught about each of the 500 buttons, toggles, and switches used to operate the spacecraft.


The actors then traveled to Johnson Space Center in Houston where they flew in NASA's KC-135 reduced gravity aircraft to simulate weightlessness in outer space. While in the KC-135, filming took place in bursts of 25 seconds, the length of each period of weightless that the plane could produce. The filmmakers eventually flew 612 parabolas which added up to a total of three hours and 54 minutes of weightlessness. Parts of the Command Module, Lunar Module and the tunnel that connected them were built by production designer Michael Corenblith, art directors David J. Bomba and Bruce Alan Miller and their crew to fit inside the KC-135. Filming in such an environment, while never done before for a film, was a tremendous time saver. In the KC-135, the actors moved wherever they wanted, surrounded by floating props; the camera and cameraman were weightless so filming could take place on any axis from which a shot could be set up.


In Los Angeles, Ed Harris and all the actors portraying flight controllers enrolled in a Flight Controller School led by Gerry Griffin, an Apollo 13 flight director, and flight controller Jerry Bostick. The actors studied audiotapes from the mission, reviewed hundreds of pages of NASA transcripts and attended a crash course in physics. Astronaut Dave Scott was impressed with their efforts, stating that each actor was determined to make every scene technically correct, word for word.




The film was a box-office success, gaining $355,237,933 worldwide. The film's widest release was 2,347 theaters. The film's opening weekend and the latter two weeks placed it at #1 with a US gross of $25,353,380, which made up 14.7% of the total US gross.


Reception & Home Media:


Apollo 13 received very positive reviews from film critics. Review aggregator Rotten Tomatoes reports that the film has an overall approval rating of 97% based on 51 reviews, with a weighted average score of 8/10. At Metacritic, which assigns a normalized 0–100 rating to reviews from mainstream critics, calculated an average score of 77 based on 22 reviews.


Roger Ebert of the Chicago Sun-Times praised the film in his review saying: "A powerful story, one of the year's best films, told with great clarity and remarkable technical detail, and acted without pumped-up histrionics." Richard Corliss from Time Magazine highly praised the film, saying: "From lift-off to splashdown, Apollo 13 gives one hell of a ride." 


Edward Guthmann of San Francisco Chronicle gave a mixed review and wrote: "I just wish that Apollo 13worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide." Peter Travers from Rolling Stone Magazine praised the film and wrote: "Howard lays off the manipulation to tell the true story of the near-fatal 1970 Apollo 13 mission in painstaking and lively detail. It's easily Howard's best film."


Janet Maslin made the film an NYT Critics' Pick, calling it an “absolutely thrilling” film that “unfolds with perfect immediacy, drawing viewers into the nail-biting suspense of a spellbinding true story”. According to Maslin, “like "Quiz Show," "Apollo 13" beautifully evokes recent history in ways that resonate strongly today. Cleverly nostalgic in its visual style (Rita Ryack's costumes are especially right), it harks back to movie making without phony heroics and to the strong spirit of community that enveloped the astronauts and their families. Amazingly, this film manages to seem refreshingly honest while still conforming to the three-act dramatic format of a standard Hollywood hit. It is far and away the best thing Mr. Howard has done (and "Far and Away" was one of the other kind).”


Ron Howard stated that, after the first test preview of the film, one of the comment cards indicated "total disdain"; the audience member had written that it was a "typical Hollywood" ending and that the crew would never have survived.Marilyn Lovell praised Quinlan's portrayal of her, stating she felt she could feel what Quinlan's character was going through, and remembered how she felt in her mind.


A 10th-anniversary DVD of the film was released in 2005; it included both the theatrical version and the IMAX version, along with several extras. The IMAX version has a 1.66:1 aspect ratio. In 2006, Apollo 13 was released on HD DVD; on 13 April 2010, it was released on Blu-ray disc, on the 40th anniversary of the Apollo 13 accident (Central Standard Time).


Director: Ron Howard

Writer: Al Reinert; William Broyles, Jr.

Stars: Tom Hanks; Kevin Bacon; Bill Paxton; Gary Sinise; Ed Harris; Kathleen Quinlan

Apollo 18 [2011]


Apollo 18 is a 2011 American science fiction horror film written by Brian Miller directed by Gonzalo López-Gallego and produced by Timur Bekmambetov and Ron Schmidt. The film's premise is that the officially canceled Apollo 18 mission was actually launched in December 1974 but never returned, and as a result the United States has never launched another expedition to the Moon. The film is shot in a found-footage style, supposedly of the lost footage of the Apollo 18 mission that was only recently discovered. The film is López-Gallego's first English-language film. After various release date changes, the film was released in the United States, United Kingdom, and Canada on September 2, 2011; however, the release dates for other territories vary.


The film has received negative reviews from critics. On the online reviews site Rotten Tomatoes, the film was given a 23% "rotten" rating based on 60 reviews, with the consensus "A boring, suspense-freeParanormal Activity rip-off that feels long even at just 90 minutes",while Metacritic, which gives a standardized score between 0 and 100, gives the film a 24 based on 19 critic reviews, which indicates generally unfavorable reviews.


As of September 16, 2011, Apollo 18 has earned $16,126,000 domestically, plus $7,917,922 overseas for a worldwide gross of $24,043,922 against a $5 million budget, becoming a financial success. In its opening weekend, Apollo 18 screened in 3,328 theaters and opened in number 3, earning $8,704,271, with an average of $2,615 per theater. In its second weekend, the movie earned $2,851,349, dropping 62.7%, with an average of $856 per theater, dropping to number 8, but still has a lower total gross over Shark Night 3D, another horror movie opening the same weekend as Apollo 18.


Plot Intro:


In December, 1974, the crew of the previously-cancelled Apollo 18 mission is informed that the mission is a go, though it has now been deemed a top secret Department of Defense mission. Commander Nathan Walker, Lieutenant Colonel John Grey and Captain Benjamin Anderson are launched towards the Moon to place detectors to alert the United States of any impending ICBM attacks from the USSR.


Grey remains in orbit aboard the Freedom Command/Service module while Walker and Anderson land on the moon in the lunar module Liberty on December 23. During this, Walker shares an embarrasing story in which he was forced to submerge his testicles in milk after inexplicably spilling the juice from a squeezed jalapeno pepperonto them. Afterwards, while planting one of the detectors, the pair take samples of moon rocks. After eating dinner, the pair attempt to sleep, by while attempting to sleep, the pair hear noises outside and a camera captures a small rock moving nearby.


Houston claims the noises are interference from the ICBM detectors. Anderson finds a rock sample on the floor of Liberty despite having secured the samples. During further exploration they discover footprints that lead them to a bloodstained SovietLK lander nearby, finding it functional. Anderson follows tracks leading into a dark crater and finds a dead cosmonaut. Walker queries Houston about the Soviet presence but is told only to continue with the mission.....


Director: Gonzalo López-Gallego

Writer: Brian Miller

Stars: Warren Christie; Lloyd Owen; Ryan Robbins


Armageddon [1998]


Armageddon is a 1998 American science-fiction disaster film, directed by Michael Bay, produced by Jerry Bruckheimer and released by Disney's Touchstone Pictures. The film follows a group of blue-collar deep-core drillers sent by NASA to stop a gigantic asteroid on a collision course with Earth. It features an ensemble cast including William Fichtner, Bruce Willis, Ben Affleck, Billy Bob Thornton, Liv Tyler, Owen Wilson, Will Patton, Peter Stormare, Michael Clarke Duncan and Steve Buscemi.


Armageddon opened in theaters only two-and-a-half months after a similar impact-based movie, Deep Impact, which starred Morgan Freeman. Astronomers described Deep Impact as being more scientifically accurate, though Armageddon fared better at the box office. Both films were equally received by critics. Armageddon was an international box-office smash, despite generally mixed reviews from critics. It became the highest-grossing film of 1998 worldwide surpassing the Steven Spielbergwar epic, Saving Private Ryan.


It is just another day at the National Aeronautics and Space Administration (NASA), a few astronauts were repairing a satellite until, out of nowhere, a series of asteroids came crashing into the shuttle, destroying it. These asteroids also decimated New York soon thereafter. Then, NASA discovered that there is an asteroid roughly the size of Texas heading towards the Earth, and when it does hit the Earth, the planet itself and all of its inhabitants will be obliterated, worse, the asteroid will hit the Earth in 18 days.


Unfortunately, NASA's plans to destroy the asteroid are irrelevant. That is when the U.S. military decides to use a nuclear warhead to blow the asteroid to pieces. Then, scientists decide to blow the asteroid with the warhead inside the asteroid itself. The only man to do it, is an oil driller named Harry Stamper and his group of misfit drillers and geologists. As he and his drill team prepare for space excavation..


Director: Michael Bay

Writers: Robert Roy Pool; Jonathan Hensleigh; JJ Abrams [Screenplay]

Stars: Bruce Willis; Ben Affleck; Liv Tyler; Billy Bob Thornton; Will Patton; Steve Buscemi; Michael Clarke Duncan; Owen Wilson; William Fichtner; Peter Stormare

The Arrival
The Arrival

The Arrival [1996]


The Arrival is a 1996 SF film directed by David Twohy and starring Charlie Sheen, and co-starring Lindsay Crouse, Richard Schiff, Ron Silver, and Teri Polo. Sheen stars as radio astronomer Zane Zaminski who discovers evidence of intelligent alien life and quickly gets thrown into the middle of a conspiracy that turns his life upside down. A sequel, Arrival II: The Second Arrival was released on November 6, 1998.


Ilana Green (Lindsay Crouse) is a climatologist who discovers plants and flowers growing 90 miles from the North Pole, despite the fact that there is no land above sea level within 90 miles of either the true or magnetic North Poles. She also describes CO2 increases of about 1% each, recorded at about 12 locations around the world, and uses this data to conclude that global CO2 will increase by twelve percent over the next ten years.


Zane Zaminski (Charlie Sheen) is a radio astronomer working for SETI who, along with his co-worker Calvin (Richard Schiff), discovers a radio signal that seems to haveextraterrestrial origins. Zane and Calvin confirm the signal is not from a satellite or the Earth. They discover that it is coming from the fictional star "Wolf 336", 14 light years away....


Director: David Twohy

Writer: David Twohy

Stars: Charlie Sheen; Lindsay Crouse; Richard Schiff; Ron Silver; Teri Polo



Avatar [2009]


Avatar is a 2009 American epic science fiction film written and directed by James Cameron, and starring Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, Joel David Moore, Giovanni Ribisi and Sigourney Weaver. The film is set in the mid-22nd century, when humans are mining a precious mineral calledunobtanium on Pandora, a lush moon of a gas giant in the Alpha Centauri star system. The expansion of the mining colony threatens the continued existence of a local tribe of Na'vi—a humanoid species indigenous to Pandora. The film's title refers to the genetically engineered Na'vi-human hybrid bodies used by a team of researchers to interact with the natives of Pandora.


The film's home release went on to break opening sales records and became the top-selling Blu-ray of all time. Following the film's success, Cameron signed with 20th Century Fox to produce two sequels, making Avatar the first of a planned trilogy.


When his brother is killed in a robbery, paraplegic Marine Jake Sully decides to take his place in a mission on the distant world of Pandora. There he learns of greedy corporate figurehead Parker Selfridge's intentions of driving off the native humanoid "Na'vi" in order to mine for the precious material scattered throughout their rich woodland. In exchange for the spinal surgery that will fix his legs, Jake gathers intel for the cooperating military unit spearheaded by gung-ho Colonel Quaritch, while simultaneously attempting to infiltrate the Na'vi people with the use of an "avatar" identity. While Jake begins to bond with the native tribe and quickly falls in love with the beautiful alien Neytiri, the restless Colonel moves forward with his ruthless extermination tactics, forcing the soldier to take a stand - and fight back in an epic battle for the fate of Pandora.


Director: James Cameron

Writer: James Cameron

Stars: Sam Worthington; Zoë Saldana; Sigourney Weaver; Stephen Lang; Michelle Rodriguez; Joel David Moore; Giovanni Ribisi       

The Avengers [2012]

The Avengers [2012]


Marvel's The Avengers (classified under the name Marvel Avengers Assemble in the UK and Ireland) is a 2012 American superhero film produced by Marvel Studios and distributed by Walt Disney Pictures, based on the Marvel Comics superhero team of the same name. It is the sixth installment in the Marvel Cinematic Universe.


The film is scripted and directed by Joss Whedon and features an ensemble cast that includes Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgård and Samuel L. Jackson. In The Avengers, Nick Fury, director of the peacekeeping organization S.H.I.E.L.D., recruits Iron Man, Captain America, the Hulk, and Thor to form a team that must stop Thor's adoptive brother Loki from subjugating the earth.


Development of The Avengers began when Marvel Studios received a loan from Merrill Lynch in April 2005. After the success of the film Iron Man in May 2008, Marvel announced that The Avengers would be released in July 2011. With the signing of Johansson in March 2009, the film was pushed back for a 2012 release. Whedon was brought on board in April 2010 and rewrote the screenplay originally written by Zak Penn. Production began in April 2011 in Albuquerque, New Mexico, before moving to Cleveland, Ohio, in August and New York City in September. The film was converted to 3D in post-production.


The Avengers premiered on April 11, 2012, at the El Capitan Theatre in Hollywood, California. The film received positive reviews from most film critics and set numerous box office records, including the biggest opening weekend in North America, tied the record for the fastest film to gross $1 billion worldwide and became the third highest-grossing film. The Blu-ray, Blu-ray 3D and DVD sets are scheduled to be released on September 25, 2012.


Plot Opening:


The Asgardian Loki encounters the Other, the leader of an extraterrestrial race known as the Chitauri. In exchange for retrieving the Tesseract, a powerful energy source of unknown potential, the Other promises Loki a Chitauri army with which he can subjugate the Earth. Nick Fury, director of the espionage agency S.H.I.E.L.D., and his lieutenant Agent Maria Hill arrive at a remote research facility during an evacuation, where physicist Dr. Erik Selvig is leading a research team experimenting on the Tesseract. Agent Phil Coulson explains that the object has begun radiating an unusual form of energy. The Tesseract suddenly activates and opens a portal, allowing Loki to reach Earth. Loki takes the Tesseract and uses his scepter to enslave Selvig and several agents, including Clint Barton, to aid him in his getaway....




In February 2012, Disney announced that the film's title would be changed in the United Kingdom to avoid confusion with the British TV series of the same name, as well as its 1998 film adaptation. This led to confusion over the film's actual title. Empire magazine reported that the film would be titled Marvel Avengers Assemble while The Hollywood Reporter said that it would be called simply Avengers Assemble


Marvel's UK website refers to the film as Marvel's Avengers Assemble, although David Cox of The Guardian, in arguing that it was one of the worst film titles ever, considered this to be an error in the production notes, albeit grammatically clearer. According to the British Board of Film Classification and the Irish Film Classification Office the title is Marvel Avengers Assemble. Frank Lovece in FilmFestivalTraveler.com addressed the discrepancy, writing, "...The Avengers — formally titled Marvel's The Avengers onscreen, though no apostrophe-s appears on the posters..." 


Producer Kevin Feige said there are only two words in the UK title, one more than in the US title, and stated that "decisions like that aren't made lightly and there are lots of marketing research, lawyers and things that get into the mix on it".

The world premiere for The Avengers was April 11, 2012, at the El Capitan Theatre in Hollywood, California. The film closed the 11th Annual Tribeca Film Festival with a screening on April 


Box Office:


The Avengers has earned $614,438,014 in North America, as of July 19, 2012, and $844,100,000 in other countries, as of July 15, 2012, for a worldwide total of $1,458,538,014. It is the third highest-grossing film worldwide and thehighest-grossing 2012 film. It is also the highest-grossing film based on comics, the highest grossing superhero film and the highest-grossing film released by Walt Disney Studios. Its worldwide opening of $392.5 million is the third largest. It is also the fifth film distributed by Disney and the twelfth film overall to earn more than $1 billion. It reached this milestone in 19 days, matching the record for speed previously set by Avatar and Deathly Hallows – Part 2. It covered its estimated $220 million production cost 12 days after its release.


Director : Joss Whedon

Writer: Zak Penn; Joss Whedon

Stars: Robert Downey, Jr.; Chris Evans; Mark Ruffalo; Chris Hemsworth; Scarlett Johansson; Jeremy Renner; Tom Hiddleston; Clark Gregg; Cobie Smulders; Stellan Skarsgård; Samuel L. Jackson


Alien vs Predator [2004] & 

Aliens Vs Predator - Requiem [2007]


Alien vs. Predator, also known as AVP, is a 2004 American science fiction film directed by Paul W. S. Anderson for 20th Century Fox and starring Sanaa Lathan andLance Henriksen. The film adapts the Alien vs. Predator crossover imprint bringing together the eponymous creatures of the Alien and Predator series, a concept which originated in a 1989 comic book. Anderson, Dan O'Bannon, and Ronald Shusett wrote the story, and Anderson and Shane Salerno adapted the story into a screenplay. Their writing was influenced by Aztec mythology, the comic book series, and the writings of Erich von Däniken.


Set in 2004, the film follows a team of archaeologists assembled by billionaire Charles Bishop Weyland (Henriksen) for an expedition near the Antarctic to investigate a mysterious heat signal. Weyland hopes to claim the find for himself, and his group discovers a pyramid below the surface of a whaling station. Hieroglyphs and sculptures reveal that the pyramid is a hunting ground for Predators who kill Aliens as a rite of passage. The humans are caught in the middle of a battle between the two species and attempt to prevent the Aliens from reaching the surface.


The film was released on August 13, 2004, in North America and received mostly negative reviews from film critics. Some praised the special effects and set designs, while others dismissed the film for its "wooden dialogue" and "cardboard characters". Nevertheless, Alien vs. Predator was a commercial success, grossing over $172 million against its $60 million production budget. The film's success led to a sequel in 2007 titled Aliens vs. Predator: Requiem.


During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.


Aliens vs. Predator: Requiem (also known as AVP:R) is a 2007 American SF film. A sequel to 2004's Alien vs. Predator, it continues the film crossover of the Alien and Predator media franchises. Filming began on September 25, 2006 in Vancouver with the Brothers Strause (Colin and Greg) directing the film based on a screenplay by Shane Salerno. The film's lead roles are played by actors Steven Pasquale and Reiko Aylesworth.


Aliens vs. Predator: Requiem was released on December 25, 2007 and received a largely negative response from film critics. The film grossed $9.5 million on its opening day and took in a worldwide gross of $128.9 million in theaters. According to Home Media Magazine, the film debuted at #1 in sales and rentals on Blu-ray and #2 on DVD when it was released on home video on April 15, 2008. Since then, the film has gained $28,550,434 in home video sales, bringing its total film gross to $157,461,400.


Warring alien and predator races descend on a small town, where unsuspecting residents must band together for any chance of survival.



Director: Paul W.S. Anderson

Writer: Paul W.S. Anderson

Stars: Sanaa Lathan; Lance Henriksen; Raoul Bova; Ewen Bremner; Colin Salmon



Director: Colin Strause; Greg Strause

Writer: Shane Salerno

Stars: Steven Pasquale; Reiko Aylesworth; John Ortizn


Babylon 5: The Movies


Babylon 5 is a tv show which ran for 5 seasons and had a spin-off series called Crusade. Also 7 tv movies have been created including the pilot episode "The Gathering". In the US the first 5 movies have been released in a boxset which includes: The Gathering; In The Beginning; Thirdspace; River of Souls and Call to Arms. The last 2 movies have been released separately. In Europe the first 2 [The Gathering & In The Beginning] and the last 2 [The Legend of the Rangers & The Lost Tales] have all been released seperately and only the movies Thirdspace; River of Souls and Call to Arms have been released in a boxset. In The Netherlands all 7 movies have been released separately.


The Gatering [Pilot]:


This TV movie is the pilot for the "Babylon 5" TV series. Set on a space station in the late 23rd Century, Babylon 5 is a centre of diplomacy and trade, in neutral space located between many rival space empires. The project's success, already shaky, is put further in doubt when incoming Commander Jeffrey Sinclair is the key suspect in the attempted assassination of Kosh, a mysterious alien ambassador.


In the Beginning:


The Earth military encounters an alien race called the Minbari. Through a series of accidents and misunderstandings, a war breaks out that nearly results in the death of every human on Earth. The war and its aftermath provide the background for the TV series "Babylon 5," especially its first season.




The crew of Babylon 5 discover a mysterious artifact of unknown origin. The artifact influences the minds of people aboard the station and endangers the lives of everyone aboard. Takes place during season 4 of the Babylon 5 TV series.


The River of Souls:


Captain Lochley now has solid proof that Garibaldi is a disaster magnet: when he comes to the station to meet with one of his new company's subordinates, she's being sued by the owner of an illegal virtual reality "holo-brothel" and besieged by Soul Hunters looking for one of their soul vessels, this one containing the souls of the long-lost Ralga alien species.


A Call To Arms:


Five years after the events of the Babylon 5 series, a technomage named Galen predicts an imminent attack by the Drakh, the old allies of the Shadows. Through dreams, a thief, a captain, and a president are brought together to head them off. The president is John Sheridan. Because of his irrational behavior, Sheridan's friends begin to wonder about his sanity. It's up to all of them and two prototype battlecruisers, the Excalibur and the Victory, to stop the fleet and their planet-killer. But is there more to the Drakh's plan?


The Legend of the Rangers:


After being punished for retreat from combat, Ranger David Martel is given command of the Liandra, a haunted 20-year old Minbari fighting ship. He's escorting ambassadors to a secret archaeological site, the oldest city on record and a clue to a dangerous ancient race. 


The Lost Tales:


Story 1 - Captain Lochley asks the help of a priest to perform an excorcism.


Story 2 - President John Sheridan (Bruce Boxleitner) is on route to pick up Centari Prince Regent Dius Vintari (Keegan MacIntosh) and transport him to Babylon 5 to celebrate the 10th anniversary of the Interstellar Alliance. He is visited by Galen (Peter Woodward), who shows him that Earth is going to be attacked by the Centari republic in 30 years by the now-Emperor Dius Vintari (Keegan MacIntosh), so that the Centari Republic can become the most powerful republic in the galaxy again. Galen tells President Sheridan that if he takes Prince Regent Vintari out for a ride in a Starfury, then at a certain speed the weapons on President Sheridan's Starfury would fire and destory Vintari's starfury. However, President Sheridan decides that he will offer Vintari the chance to come to Minbar and live with him and Delenn and learn from them.

Back to the Future Trilogie
Back to the Future Trilogie

Back to the Future Trilogy [1985, 89,90]


The Back to the Future trilogy is a comedic science fiction adventure film series written by Bob Gale and Robert Zemeckis, directed by Zemeckis, produced byAmblin Entertainment and distributed by Universal Pictures. The main plot follows the adventures of a high school student Marty McFly (Michael J. Fox) and eccentric scientist Dr. Emmett Brown (Christopher Lloyd) as they use a modified DeLorean automobile to time travel to different periods of the history of Hill Valley, California.


The first film was the highest-grossing film of 1985 and became an international phenomenon, leading to the second and third films which were filmed back-to-back and released in 1989 and 1990 respectively. Though the two sequels did not perform quite as well at the box office as the first film, the trilogy remains immensely popular after a quarter century and has yielded such spin-offs as an animated television series and a motion-simulation ride at the Universal Studios Theme Parks.


Back to the Future


The trilogy begins as seventeen year old Marty McFly is accidentally sent back in time from 1985 to 1955 in a time machine built from a DeLorean by eccentric scientist Emmett L. Brown, also known as "Doc". Upon arriving in 1955, Marty inadvertently causes his mother (Lorraine McFly) to fall in love with him, rather than with his father (George McFly). This begins to cause what Doc Brown later describes as a paradox that would cause Marty to disappear from existence.


To make matters worse, Marty did not bring back any additional plutonium to power the time machine, so he must find the 1955 version of Doc Brown to help him reunite his parents and return to 1985. Biff Tannen, the antagonist, further complicates Marty's efforts to return to an unaltered 1985. Marty successfully causes his parents to fall in love and simultaneously ruins the future of Biff Tannen, who in the end is an auto detailer instead of George McFly's boss.


Marty learns in the end that his family situation has improved because of the way his parents' relationship was changed by his intervention in the past. However, in the film's final moments, Doc Brown and the DeLorean appear and Doc tells Marty that he has returned from the future, and that Marty must come back to the future with him.


Back to the Future Part II


The series continues as Doc Brown travels with Marty to the year 2015 where he has discovered Marty's family is in ruins. Marty buys a sports almanac containing the outcomes of 50 years worth (1950–2000) of sporting events. However, Doc catches him and throws the almanac in the trash, where the aged Biff Tannen finds it. While Marty and Doc are at Marty's future house, Old Biff steals the DeLorean time machine and gives the book to his younger self just before he goes to the dance at the end of the first movie.


When Doc and Marty return to 1985, they find that Biff has used the almanac's knowledge for financial gain, which allows him to turn Courthouse Square into a 27 story casino, "own" Hill Valley, get away with the murder of Marty's father, and later marry Marty's mother. Marty learns that Biff was given the book by old Biff on November 12, 1955, so he and Doc go back to that date in order to steal the almanac from Biff before he can use it to destroy their lives. They accomplish this in a complex fashion, often crossing their own past-selves' paths.


When the duo are about to travel back to 1985, a lightning bolt strikes the DeLorean and scrambles the time circuits, sending Doc back to 1885 and leaving Marty stranded once again in 1955.


Back to the Future Part III


After finding out that Doc Brown is trapped in 1885, Marty sets out to find the 1955 Doc to help him fix the DeLorean (which has been waiting for him in a mineshaft for 70 years) and restore it to working order. Learning that Doc gets shot in 1885, Marty travels back in time to save Doc (who has become a blacksmith) and bring him back to the future. Unfortunately, an arrow has ripped a hole in the fuel line, emptying the gas tank and rendering the DeLorean engine useless. Furthermore, Doc falls in love with schoolteacher Clara Clayton, and considers staying in 1885. Marty must convince Doc to come back with him and find a way to get back to his time before it's too late. After several dramatic action scenes involving a speeding locomotive, Marty returns to 1985 in the restored DeLorean. It appears on a train track as planned, and Marty jumps out just in time to see the DeLorean time machine destroyed by a modern train. He worries that Doc has been lost in the past forever, when suddenly Doc Brown appears in a new time machine, modeled after a locomotive. He introduces Marty to Clara (to whom he is now married) and his two sons, Jules and Verne. When Marty asks if Doc and his family are going to the future, Doc replies that he's already been to the future. The locomotive flies across the sky and disappears, ending the trilogy.






Barb Wire
Barb Wire

Barb Wire  [1996]


Barb Wire is a 1996 American action-science fiction film based on the Dark Horse comic book series of the same name. The film was produced by Brad Wyman and directed by David Hogan in his film debut. Barb Wire stars Pamela Anderson Lee in the title role. The film was a vehicle for Baywatch star Anderson, intended to enable her to cross over from television to movie stardom.


Barb Wire was poorly received by critics and was considered a box office disappointment. It currently holds a 30% approval rating on Rotten Tomatoes based on 33 reviews (10 positive, 23 negative), with the consensus stating that "Barb Wire could've been fun camp, but Pamela Anderson can't deliver her lines with any dramatic or comedic impact". Roger Ebert notably pointed out that the film's plot was identical to that of Casablanca.


It is perhaps notable for its opening, in which Anderson dances topless as water is sprayed on her. Some of this sequence was cut on the film's initial release, but restored for later home video and DVD releases.




The film is a re-imagining of Casablanca, but set in 2017 during the "Second American Civil War" rather than Casablanca during World War II, and with some key roles being played by the opposite gender. Barb Wire (Pamela Anderson Lee) owns the Hammerhead, a nightclub in Steel Harbor — "the last free city" in a United States ravaged by the civil war — and she brings in extra cash by hiring out as a mercenary and bounty hunter.


Her club is raided by Chief of Police Willis (Xander Berkeley), who is looking for the fugitive Dr. Corrina "Cora" Devonshire (Victoria Rowell). Devonshire, a former government scientist, has information about a bioweapon being developed by her former superior, Colonel Pryzer (Steve Railsback) of the Congressional Directorate; she is trying to escape to Canada in order to make this information public. Meanwhile, Devonshire has turned up at the Hammerhead.


She is accompanied by Axel Hood (Temuera Morrison), a "freedom fighter" whom Barb had known (and, it is implied, loved) at the outbreak of the war, but the two were separated soon afterward. Axel is now married to Cora, and is trying to help her get to Canada. They are trying to find a contraband pair of contact lenses which will allow Cora to evade the retinal scan at the Steel Harbor airport. The lenses pass through the hands of several lowlifes before also ending up at Barb's nightclub.


Rather than give the lenses to Cora and Axel, Barb makes a deal with "Big Fatso" (Andre Rosey Brown), the leader of a junkyard gang: Fatso wants the lenses, which are worth a fortune on the black market, and Barb wants a million dollars and an armed escort to the airport, where she plans to get on the plane to Canada. But Fatso double-crosses Barb; when Barb, Axel, and Cora show up at the junkyard to make the swap, Colonel Pryzer and his storm troopers are also there, along with Chief of Police Willis.


Willis makes a show of arresting Barb and Cora, but instead of putting handcuffs on Barb, he slips her a hand grenade. Barb uses the grenade to kill Fatso and cause enough confusion to allow Barb, Axel, Cora, and Willis to pile into Barb's armored van and lead the Congressionals on a car chase, culminating in a hand-to-hand fight between Barb and Colonel Pryzer atop a moving crane. Pryzer falls to his death while Barb escapes just before the crane explodes.

In the end, the party makes it to the airport, where Barb reveals that she still has the contact lenses. She gives them to Cora, and Cora and Axel get on the plane to Canada while Willis and Barb remain on the rainswept tarmac.


Director: David Hogan

Writer: Chris Warner (comics); Chuck Pfarrer; Ilene Chaiken (screenplay]

Stars: Pamela Anderson Lee; Temuera Morrison; Victoria Rowell; Jack Noseworthy; Xander Berkeley; Udo Kier; Steve Railsback

Battlefield Earth
Battlefield Earth

Battlefield Earth [2000]


Battlefield Earth is a 2000 American science fiction film adapted from the novel of the same name by L. Ron Hubbard. It was directed by Roger Christian, and starsJohn Travolta, Forest Whitaker and Barry Pepper. The film depicts an Earth that has been under the rule of the alien Psychlos for 1,000 years and tells the story of the rebellion that develops when the Psychlos attempt to use the surviving humans as gold miners.


Travolta, a long-time Scientologist, had sought for many years to make a film of the novel by Hubbard, the founder of Scientology. He was unable to obtain funding from any major studio due to concerns about the film's script, prospects, and connections with Scientology. The project was eventually taken on by an independentproduction company, Franchise Pictures, which specialized in rescuing stars' stalled pet projects. Travolta signed on as a co-producer and contributed millions of dollars of his own money to the production, which was largely funded by a German film distribution company. Franchise Pictures was later sued by its investors and was bankrupted after it emerged that it had fraudulently overstated the film's budget by $31 million.


Battlefield Earth was released on May 12, 2000. The film was a major commercial failure and critical flop and has been widely dismissed as being one of the worst films ever made. Reviewers universally panned the film, criticizing virtually every aspect of the production. Audiences were reported to have ridiculed early screenings and stayed away from the film after its opening weekend. This resulted in Battlefield Earth failing to recoup its costs. Travolta originally envisioned the film as the first of two adapted from the book, as the screenplay only covered the first half of the novel. The film's poor box office performance meant that the planned sequel would not be made.


Battlefield Earth grossed $21,471,685 in the United States and Canada and a total of $29,725,663 worldwide, falling well short of its $75 million production budget and $20 million in estimated marketing costs. Financially, it is regarded as one of the most expensive flops in film history, and a box office bomb.


The film's exceptionally bad reviews and poor word-of-mouth led to a precipitous falling-off in its grosses. Having earned $11,548,898 from 3,307 screens on its opening weekend, its take collapsed by 67 percent to $3,924,921 the following weekend, giving an average take of $1,158 per screen. The film made 95 percent of its entire domestic gross in the first two weekends and flatlined thereafter, with earnings dropping a further 75 percent by the end of its third week to $1 million.


The following week, facing earnings of just $205,745, Warner Bros. attempted to cut its losses by slashing the number of screens at which the film was being shown. The number was reduced from 2,587 to 641. By its sixth weekend on release, the film was showing on 95 screens and had made $18,993 in a week – less than $200 per screen. International earnings were equally dire. The film finished with a gross of $21.4 million in the US and just $8.2 million from the rest of the world.


A limited range of merchandising was produced for the film, including posters, a soundtrack CD by Elia Cmiral recorded by the Seattle Symphony, and a re-released version of the novel with a new cover based on the film's poster. Trendmasters also produced a range of action figures of the main characters, including an 11-inch (280 mm) figure of Travolta as Terl voicing lines from the film such as "Exterminate all man-animals at will!", "You wouldn't last one day at the academy", "Man is an endangered species", and "Ratbastard!". 


In Hubbard's novel the term "Ratbastard" is never used, and Terl instead refers to Jonnie Goodboy Tyler as "rat brain". A special edition DVD was released in 2001, including two additional scenes which added two minutes to the film's running time. The DVD includes commentary tracks with director Roger Christian and production, costume and creature designer Patrick Tatopoulos, as well as special features including John Travolta's alien makeup test. Jeff Berkwits of SCI FI WEEKLY wrote that "... the Battlefield Earth Special Edition DVD is packed with information, offering an enlightening glimpse into the creative process behind this imperfect but entertaining picture".Randy Salas of the Star Tribune described it as the "Best DVD for a bad movie." A review of the DVD release in the Los Angeles Times was more critical: "A dated visual style, patched-together special effects and ludicrous dialogue combine in a film that is a wholly miserable experience."




In the year 3000, Earth has been ruled for 1,000 years by the Psychlos, a brutal race of giant humanoid aliens. The remnants of humanity are either enslaved by the Psychlos and used for manual labor or survive in primitive tribes living in remote areas outside Psychlo control. Jonnie Goodboy Tyler (Barry Pepper), a member of one such tribe, leaves his home in the Rocky Mountains on a journey of exploration. He joins forces with Carlo (Kim Coates), a hunter, but both men are captured by a Psychlo raiding party and transported to a slave camp at the Psychlos' main base on Earth, a giant dome built over the ruins of Denver, Colorado.


Director: Roger Christian

Writer: Corey Mandell

Stars: John Travolta[ Barry Pepper; Forest Whitaker


Battle: Los Angeles
Battle: Los Angeles

Battle: Los Angeles [2011]


Battle: Los Angeles (also known as Battle: LA and World Invasion: Battle Los Angeles, and formerly known as Battle for Los Angeles) is a 2011 military science fiction war film directed by Jonathan Liebesman, and starring Aaron Eckhart, Michelle Rodriguez, Michael Peña, Ne-Yo, Ramon Rodriguez, and Bridget Moynahan. The film is set in modern day Los Angeles and follows a platoon of U.S. Marines during a global alien invasion, who are joined by an Airman and some Army infantry. The events of the film are inspired by the Battle of Los Angeles, a supposed World War II air raid of the city which turned out to be a false alarm caused by several unidentified flying objects.


The film received negative reception. Review aggregate Rotten Tomatoes reports that 35% of critics have given the film a positive review based on 181 reviews, with an average score of 4.8/10. The website reported the critical consensus, "Overlong and overly burdened with war movie clichés, Battle: Los Angeles will entertain only the most ardent action junkies". The Rotten Tomatoes "Audience" rating stands at 57%; the "Top Critics" section stands at 21%.


Review aggregator Metacritic assigned the film a weighted average score of 37 (out of 100) based on 35 reviews from mainstream critics, considered to be "Generally unfavorable reviews". Roger Ebert panned Battle: Los Angeles in a lengthy review, calling the movie "noisy, violent, ugly and stupid", giving the film a mere half star rating. Though he praised Aaron Eckhart's performance, Ebert heavily criticised the film's writing, effects designs, camerawork and editing.


He closed his review by saying, "When I think of the elegant construction of something like Gunfight at the O.K. Corral, I want to rend the hair from my head and weep bitter tears of despair. Generations of filmmakers devoted their lives to perfecting techniques that a director like Jonathan Liebesman is either ignorant of, or indifferent to. Yet he is given millions of dollars to produce this assault on the attention span of a generation."


Battle: Los Angeles was given poor reviews by the Los Angeles Times, New York TimesUSA TodayEntertainment Weekly, and Variety. Kim Newman of Empire rated the film 2 stars out of 5 and criticized its lack of originality. Nigel Floyd of Time Out rated the film 2 stars saying that it "... lumbers the flat military characters with hackneyed dialogue and corny sentimentality".

Neil Smith of Total Film magazine rated the film as 3 stars out of 5 and summarized, "Imagine Black Hawk Down with ET's instead of Somalis and you'll have the measure of an explosive if functional actioner that will do while we're waiting for summer's big guns to arrive".


Both the Radio Times and the Chicago Tribune also rated the film 3 out of 5. IGN rated the film 3 out of 5, stating that the film has spectacular visuals and intense action packed scenes.


Battle: Los Angeles debuted in 3,417 theaters, grossing $13,399,310 on its opening day, which was the best opening-day gross for 2011 until the record was surpassed by Fast Five. Overall the film made $35,573,187 and ranked #1 on its opening weekend ahead of Red Riding Hood and Mars Needs Moms. The film dropped to #2 after a week when Rango topped the box office on St. Patrick Day. As of May 22, 2011, the film has grossed $83,552,429 in the United States and Canadian markets and $118,914,327 in international markets, for a worldwide total of $202,466,756.




On August 11, 2011, mysterious objects thought to be meteorites crash into Earth's oceans near several major cities including Tokyo, Paris, Rio de Janeiro, Buenos Aires, Boston, New Orleans, Mexico City, New York City, Hong Kong, Shanghai, London, Manchester, Barcelona, Hamburg, Sydney and Los Angeles. These objects are revealed to be spacecraft containing hostile extraterrestrial forces. U.S. Marines from Camp Pendleton arrive in LA to defend against alien ground forces and assist in the evacuation of civilians in preparation for a bombing campaign.


Among the military's forces is SSgt. Michael Nantz (Aaron Eckhart), a 20-year veteran who lost his squad during his last deployment in Iraq. Nantz had planned to retire, but the situation requires him to replace the platoon sergeant of a platoon from "E" Company, 2nd Battalion 5th Marines....


Director: Jonathan Liebesman

Writer: Chris Bertolini

Stars: Aaron Eckhart; Michelle Rodriguez; Ramón Rodríguez; Bridget Moynahan; Ne-Yo; Michael Peña


Battleship [2012]


Battleship is a 2012 American Alien Invasion military science fiction naval war film loosely inspired by the classic board game. The film was directed by Peter Berg and released by Universal Pictures. The film stars Taylor Kitsch, Liam Neeson, Alexander Skarsgård, Rihanna, Brooklyn Decker, and Tadanobu Asano. The film was originally planned to be released in 2011, but was rescheduled to April 11 2012 in the United Kingdom and May 18 2012 in the United States. The film's world premiere was in Tokyo, Japan on April 3 2012.


Plot Intro:


NASA discovers an extrasolar planet with conditions similar to Earth and transmits a powerful signal from a communications array in Hawaii. Meanwhile slacker Alex Hopper gets arrested while attempting to impress Samantha Shane, daughter of United States Pacific Fleet commander Admiral Terrance Shane. Stone Hopper, Alex's older brother and a Commander under Terrance, is infuriated at Alex's lack of motivation and forces Alex to join him in the United States Navy. By 2012, Alex is a lieutenant aboard the Arleigh Burke class destroyer USS John Paul Jones, while Stone is the commanding officer of USS Sampson. Alex is in a relationship with Samantha and due to disciplinary problems is in danger of being discharged from the navy. Their ships, along with others from around the world, are taking part in RIMPAC naval exercises in Hawaii......


Boxoffice & Critical Reception:


Battleship had better box office success in overseas markets than in the US where it had a moderate gross. The film earned $65,233,400 in North America and $237,602,860 in other countries, for a worldwide total of $302,836,260.Outside North America, Battleship opened on Wednesday, April 11, 2012 in many countries more than five weeks before its North America release, earning $7.4 million. Through Friday, the film earned a 3-day total of $25 million. By the end of its opening weekend, it earned $55.2 million from 26 markets, ranking second behind the 3D rerelease of Titanic.


However, on its second weekend, it topped the box office outside North America, with $60 million. In South Korea, it achieved the highest-grossing opening day for a non-sequel and the third-highest overall ($2.8 million). In comparison to other Hasbro films, Battleship's opening in the UK (£3.76 million) was behind the first Transformers (£8.72 million), but did better than G.I. Joe: The Rise of Cobra (£1.71 million).


In North America, Battleship grossed $8.8 million on its opening day (Friday, May 18, 2012), with $420,000 originating from midnight showings, and finished the weekend with $25.5 million. It settled in second place for its opening day and opening weekend behind Marvel's The Avengers. Its opening weekend grosses are well below the anticipated $35–$40 million range that Universal and director Peter Berg were hoping for. A BBC News story published after its first weekend described it as a "box office flop"


The film has received generally mixed to negative reviews from critics. As of May 19, 2012, Metacritic has given the film an average score of 41 out of 100 based on 39 reviews, while Rotten Tomatoes gives the film a "rotten" score of 33% based on reviews from 195 critics, and reports a rating average of 4.6 out of 10.


Megan Lehmann of The Hollywood Reporter thought that the "impressive visual effects and [director Peter] Berg's epic set pieces fight against an armada of cinematic clichés and some truly awful dialogue." Empire magazine's Nick de Semlyen felt there was a lack of character development and memorable action shots, and sums up his review of the movie in one word: "Miss." Many reviews panned the "based on a board game" concept driving the film, although some, such as Jason Di Rosso from the Australian Broadcasting Corporation's Radio National, claimed the ridiculousness of the setup is "either sheer joy or pure hell – depending on how seriously you take it", while de Semlyen "had to admire [the film's creators] jumping through hoops to engineer a sequence that replicates the board game." 


Several compared the film toMichael Bay's Transformers film series in terms of quality and cinematic style, with Giles Hardie of The Sydney Morning Herald claiming that the movie "finds the same balance between action-packed imagination and not taking the premise seriously that made Michael Bay's original Transformers such a joyride."Andrew Harrison of Q magazine called the film "crushingly stupid". A review written for the L.A. Times also implied disappointment, with writer and film critic Kenneth Turan criticizing the sci-fi action flick's "humanoid aliens", stating that they are "as ungainly as the movie itself, clunking around in awkward, protective suits." Ultimately he does give the film credit by calling the content "all very earnest", but added "it's not a whole lot of fun."


Other critics were less harsh for Battleship: Writing for Time, Steven James Snyder was positive because he had low expectations of the film. He wrote, "The creative team behind this ocean-bound thriller decided to fill the narrative black hole with a few ingredients all but absent from today’s summer tent poles – namely mystery, nostalgia and a healthy dose of humility" and described it as "an unlikely mix of Independence DayPearl HarborJurassic Park and The Hunt for Red October". Giving it a B+ grade, Lisa Schwarzbaum of Entertainment Weekly also praised the story saying, "For every line of howler dialogue that should have been sunk, there's a nice little scene in which humans have to make a difficult decision.


For every stretch of generic sci-fi-via-CGI moviemaking, there's a welcome bit of wit." The Washington Post gave the film a three-star rating out of four commenting it is "an invigorating blast of cinematic adrenaline". Roger Ebert of the Chicago-Suntimes gave the movie 2 and a half stars.


Director: Peter Berg

Writer: Jon Hoeber; Erich Hoeber

Stars: Taylor Kitsch; Alexander Skarsgård; Rihanna; Brooklyn Decker; Liam Neeson

The Black Hole

The Black Hole [1979]


The Black Hole is a 1979 American science fiction film directed by Gary Nelson for Walt Disney Productions. The film stars Maximilian Schell, Robert Forster, Joseph Bottoms, Yvette Mimieux, Anthony Perkins, and Ernest Borgnine, while the voices of the main robot characters are provided by Roddy McDowall and Slim Pickens (both unbilled). The music for the movie was composed by John Barry.


Plot opening:


Nearing the end of a long mission exploring deep space, the USS spacecraft Palomino is returning to Earth. The crew consists of Captain Dan Holland, First Officer Lieutenant Charlie Pizer, journalist Harry Booth, ESP-sensitive scientist Dr. Kate McCrae, the expedition's civilian leader Dr. Alex Durant and the robot V.I.N.CENT ("Vital Information Necessary CENTralized").


The Palomino crew discover a black hole in space with a spaceship nearby, somehow defying the hole's massive gravitational pull. The ship is identified as the long-lost USS Cygnus, the ship McCrae's father served aboard when it went missing. Deciding to investigate, the Palomino encounters a mysterious null gravity field surrounding the Cygnus. The Palomino becomes damaged when it drifts away from the Cygnus and into the black hole's intense gravity field, but the ship manages to move back to the Cygnus and finds itself able to dock to what initially appears to be an abandoned vessel.


The Palomino crew warily boards the Cygnus and soon encounter the ship's commander, Dr. Hans Reinhardt, a brilliant scientist. Aided by a crew of faceless, black-robed android drones and his sinister looking robot Maximilian, Reinhardt explains that he has lived all alone on the Cygnus for years. After the ship encountered a meteor field and was disabled, he ordered the human crew to return to Earth, but Kate's father chose to remain aboard and has since died. Reinhardt then reveals that he has spent the past 20 years studying the black hole and intends to fly the Cygnus through it. Only Durant believes it is possible and asks to accompany Reinhardt on the trip.....




Although Star Wars had popularized the use of computerized motion control miniature effects, The Black Hole was shot using a blend of traditional camera techniques and newly developed computer-controlled camera technology. Disney had wanted to rent equipment from Industrial Light and Magic, but, when the price was too high and the timing of getting the equipment didn't match Disney's production schedule, they had their engineering department build their own equipment, resulting in the development of Disney's A.C.E.S. (Automated Camera Effects System), as well as the Mattescan system, which for the first time allowed the camera to move over a matte painting, and a computer-controlled modeling stand. At the time of its release, the movie's opening credits sequence featured the longest computer graphics shot that had ever appeared in a film. The moving holographic image of the black hole itself on the Palomino's bridge deck was considered state-of-the-art for special effects at the time.


The film was noted for being one of the first films other than Star Wars and Close Encounters to be completely dubbed in the release language of its original country[citation needed], whereas most other features of the period used the technique only for scenes which were either shot outdoors or in which the inherent on-stage noise from the live performance of special-effects precluded the use of production dialogue as recorded on-set.

In addition, the The Black Hole was also notable for being the first Disney film not to have an all-ages rating, because of mild language (being the first Disney film to include profanity of any type) and scenes of human death never seen in a Disney production before (e.g., a character is eviscerated, albeit bloodlessly). This was The Walt Disney Company's first PG-rated production, and its second overall release with that rating (the first was the sports drama Take Down, an outside production Disney distributed in early 1979).


The version of the film televised on The Disney Channel has been edited for language, with all uses of the words "damn" and "hell" removed. Along with frequent subtexts, there were also metaphysical and religious themes expressed through the film. This film led the company towards experimenting with more adult-oriented and mainstream films, which would eventually lead to Disney's creation of its Touchstone Pictures, Hollywood Pictures, and its later purchase of Miramax Films arms to handle films considered too mature in nature to carry the Walt Disney Pictures label.




At $20 million (plus another $6 million for the advertising budget),it was at the time the most expensive picture ever produced by the company. The movie earned nearly $36 million at the North American box office, making it the 21st highest grossing film of 1979.


It received mixed reviews from critics. Famed critic Roger Ebert gave the film 2 stars out of 4 upon its release, saying it "takes us all the way to the rim of space only to bog us down in a talky melodrama whipped up out of mad scientists and haunted houses." Meanwhile, The New York Times, Time Magazine and Variety all praised the film. The special effects were generally acclaimed by the press. The film received two Academy Award nominations: One for Best Visual Effects and one for Best Cinematography.


The film has received some attention as a cult movie, with releases to different formats over the years. Author John Kenneth Muir wrote an extensive review of the film that delved into some of the nuances and metaphysical ideas which marked The Black Hole as more adult-oriented fare than Disney had previously been involved with.





Blade Runner
Blade Runner

Bladerunner [1982]


Blade Runner is a 1982 American science fiction film, directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, and Sean Young. The screenplay, written byHampton Fancher and David Peoples, is based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick.


The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as other mega manufacturers around the world. Their use on Earth is banned, and replicants are exclusively used for dangerous, menial or leisure work on Earth's off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt out expert blade runner, Rick Deckard, who reluctantly agrees to take on one more assignment to hunt them down.


Blade Runner initially polarized critics: some were displeased with the pacing, while others enjoyed its thematic complexity. The film performed poorly in North American theaters. Despite the box office failure of the film, it has since become a cult classic, and is now widely regarded as one of the best movies ever made.Blade Runner has been hailed for its production design, depicting a "retrofitted" future, and it remains a leading example of the neo-noir genre.[4] Blade Runnerbrought the work of author Philip K. Dick to the attention of Hollywood, and several more films have since been based on his work. Ridley Scott regards Blade Runneras "probably" his most complete and personal film. In 1993, Blade Runner was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".


Seven versions of the film have been shown for various markets as a result of controversial changes made by film executives. A rushed director's cut was released in 1992 after a strong response to workprint screenings. This, in conjunction with its popularity as a video rental, made it one of the first films released on DVD, resulting in a basic disc with mediocre video and audio quality. In 2007, Warner Bros. released in select theaters, and subsequently on DVD, HD DVD, and Blu-ray Disc, the 25th anniversary digitally remastered Final Cut by Scott.


Director: Ridley Scott

Writer: Hampton Fancher; David Peoples

Stars: Harrison Ford; Rutger Hauer; Sean Young; Edward James Olmos


The Book of Eli
The Book of Eli

The Book of Eli [2010]


The Book of Eli is a 2010 American post-apocalyptic action film directed by the Hughes brothers, written by Gary Whitta, and starring Denzel Washington, Gary Oldman, Mila Kunis, Ray Stevenson and Jennifer Beals.


The story revolves around Eli, a nomad in a post-apocalyptic world, who is told by a voice to deliver his copy of a book to a safe location on the West Coast of the United States. The history of the post-war world is explained along the way as is the importance of Eli's task. Filming began in February 2009 and took place in New Mexico.

The film was released for theaters in January 2010. Alcon Entertainment financed and co-produced the film with Silver Pictures, while it was distributed by Warner Bros.in the US, and international sales handled by Summit Entertainment.




Thirty years after a nuclear apocalypse, Eli (Denzel Washington) travels on foot toward the west coast of the United States. Along the way, he demonstrates uncanny survival and fighting skills, hunting wildlife and swiftly defeating a group of highway bandits who try to ambush him. Searching for a source of water, he arrives in a ramshackle town built and overseen by Carnegie (Gary Oldman). Carnegie dreams of building more towns and controlling the people by using the power of a certain book. His henchmen scour the desolate landscape daily in search of it, but to no avail........


Boxoffice & Critical Reviews:


The film was released in North America on January 15, 2010 in 3,111 theaters. It took in $11,672,970—$3,752 per theater, its opening day. By the end of its opening four-day holiday weekend it grossed $38,437,553—$12,355 per theater. It ranked number two, behind Avatar. On its second weekend, it placed third with Legion taking its number two place and grossed $15,732,493—$5,057 per theater. By its third weekend it dropped down to number five and made $8,908,286—$2,897 per theater. The film has come to gross $94,835,059 in the United States and Canada, and $62,256,659 in other markets, with an estimated worldwide total of $157,091,718.


The film has received mixed reviews from critics. Review aggregator Rotten Tomatoes reports that 48% of 188 critics have given the film a positive review, with a rating average of 5.5 out of 10. Among Rotten Tomatoes' "Top Critics", the film holds an overall approval rating of 47%, based on a sample of 32 reviews. The site's consensus is that "It's certainly uneven, and many viewers will find that its reach exceeds its grasp, but The Book of Eli finds the Hughes brothers injecting some fresh stylish fun into the kind of post-apocalyptic wasteland filmgoers have seen more than enough of lately." Metacritic, which assigns a weighted average score out of 0–100 reviews from film critics, has a rating score of 53 based on 33 reviews.


Todd McCarthy of Variety predicted "this will not be one of ... Denzel Washington's bigger grossers." Chicago Sun-Times critic Roger Ebert gave the film 3 of 4 stars and said of the film: "You won't be sorry you went. It grips your attention, and then at the end throws in several WTF! moments, which are a bonus." Reviewing the film for The A.V. Club, Scott Tobias graded the film a B, and wrote "At a time when theaters are experiencing a glut of doomsday scenarios, the Hughes' ashen, bombed-out future world looks a little too familiar, no matter how crisply they present it.


But the showdown between Washington and a deliciously hammy Oldman complicates the film's overt religiosity...". Owen Gleiberman of Entertainment Weekly gave the film a D, calling it "a ponderous dystopian bummer that might be described as The Road Warrior without car chases, or The Road without humanity."


Director: Albert Hughes; Allen Hughes

Writer: Gary Whitta

Stars: Denzel Washington, Gary Oldman, Mila Kunis, Ray Stevenson en Jennifer Beals

Captain America : The First Avenger
Captain America : The First Avenger

Captain America - The First Avenger [2011]


Captain America: The First Avenger is a 2011 American superhero/SF film based on the Marvel Comics character Captain America. It is the fifth installment of the Marvel Cinematic Universe. The film was directed by Joe Johnston, written by Christopher Markus and Stephen McFeely, and stars Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell, Sebastian Stan, Dominic Cooper, Neal McDonough, Derek Luke, and Stanley Tucci. Set during World War II, the film tells the story of Steve Rogers, a sickly man from Brooklyn who is transformed into super soldier Captain America to aid in the war effort. Captain America must stop the Red Skull -- Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a device called a tesseract as an energy-source for world domination.


Captain America: The First Avenger began as a concept in 1997, and was scheduled to be distributed by Artisan Entertainment. However, a lawsuit, not settled until September 2003, disrupted the project. After Marvel Studios received a grant from Merrill Lynch, the rights were acquired by Paramount Pictures. Directors Jon Favreauand Louis Leterrier were interested in directing the project before Johnston was approached in 2008. The principal characters were cast between March and June 2010. Production of Captain America: The First Avenger began in June 2010, and filming took place in London, Manchester and Liverpool in the United Kingdom, and Los Angeles in the United States. The film was converted to 3D in post-production.


Captain America: The First Avenger premiered in Hollywood on July 19, 2011, and was released in the United States on July 22, 2011. The film became a critical success grossing a total of $368.6 million worldwide. The Blu-ray and DVD were released on October 25, 2011.


Captain America: The First Avenger has received generally positive reviews from film critics. The film has a 79% approval rating on the review aggregator website Rotten Tomatoes, based on 214 reviews with an average rating of 6.9/10, and the consensus: "With plenty of pulpy action, a pleasantly retro vibe, and a handful of fine performances, Captain America is solidly old-fashioned blockbuster entertainment."Metacritic, which assigns a weighted average score, gave the film a 66 out of 100 based on 36 reviews from critics.


Roger Moore of the Orlando Sentinel gave Captain America: The First Avenger a positive review stating, "Johnston has delivered a light, clever and deftly balanced adventure picture with real lump in the throat nostalgia, with Nazis – who make the best villains, and with loving references to Star Wars and Raiders of the Lost Ark.'" Roger Ebert of the Chicago Sun-Times remarked, "I enjoyed the movie. I appreciated the 1940s period settings and costumes, which were a break with the usual generic cityscapes. I admired the way that director Joe Johnston propelled the narrative. I got a sense of a broad story, rather than the impression of a series of sensational set pieces. If Marvel is wise, it will take this and Iron Man as its templates". A. O. Scott of The New York Times declared it "pretty good fun".


Conversely, Karina Longworth of The Village Voice gave the film a negative review, calling it "[A] hokey, hacky, two-hour-plus exercise in franchise transition/price gouging, complete with utterly unnecessary post-converted 3-D". Peter Debruge of Variety said, "Captain America: The First Avenger" plays like a by-the-numbers prequel for Marvel Studios' forthcoming "The Avengers" movie". Kirk Honeycutt of The Hollywood Reporter had mixed feelings about the film, writing, "As the last Marvel prequel that includes two Iron Man and Incredible Hulk movies before next summer's The Avengers, this one feels perhaps a little too simplistic and routine".


Captain America: The First Avenger opened on July 22, 2011, in the United States and earned $4 million in midnight showings, outgrossing other 2011 original superhero movies like Thor and Green Lantern as well as the prequel X-Men: First Class, which all did between $3.25 million and $3.5 million in Friday midnights. On Friday, the film opened at the number one spot at the American and Canadian box office with $25.7 million. It then went on to make $65.1 million, which was the second highest-grossing opening weekend for a superhero film in 2011 behind Thor ($65.7 million).Captain America: The First Avengergrossed $176,654,505 in the U.S.A and Canada as well as $191,953,858 internationally, for a total of $368,608,363 worldwide.


Plot Opening:


In the present day, scientists in the Arctic uncover a circular object with a red, white and blue motif. In March 1942, Nazi officer Johann Schmidt (Hugo Weaving) and his men invade Tønsberg, Norway, to steal a mysterious tesseract possessing untold powers. In New York City, Steve Rogers (Chris Evans) is rejected for World War II military duty due to various health and physical issues. While attending an exhibition of future technologies with his friend Bucky Barnes (Sebastian Stan), Rogers again attempts to enlist. Having overheard Rogers' conversation with Barnes about wanting to help in the war, Dr. Abraham Erskine (Stanley Tucci) allows Rogers to enlist.


He is recruited as part of a "super-soldier" experiment under Erskine, Colonel Chester Phillips (Tommy Lee Jones), and British agent Peggy Carter (Hayley Atwell). Phillips is unconvinced of Erskine's claims that Rogers is the right person for the procedure but relents after seeing Rogers commit an act of self-sacrificing bravery. The night before the treatment, Erskine reveals to Rogers that Schmidt underwent an imperfect version of the treatment, and suffered side-effects.....


Director: Joe Johnston

Writer: Christopher Markus; Stephen McFeely

Stars: Chris Evans; Tommy Lee Jones; Hugo Weaving; Hayley Atwell; Sebastian Stan; Dominic Cooper; Neal McDonough; Derek Luke; Stanley Tucci

Captain America: The Winter Soldier

Captain America - The Winter Soldier [2014]


Coming Soon

Cargo [movie 2009]

Cargo [2009]


Cargo is a 2009 science fiction film, the first from Swiss production and the first major feature film by Ivan Engler.




It is the year 2267. After the earth has become uninhabitable due to an ecological collapse, the remaining people live on overcrowded space stations in Earth's orbit. The young doctor Laura Portmann (Anna-Katharina Schwabroh) is one of them. She hopes for a better future alongside her sister on the distant planet Rhea, but to get there, she needs money. She signs up with Kuiper Enterprises for a job on the decrepit cargo ship Kassandra, heading for an eight-year flight to unmanned Station #42 and back.


The crew consists of five members: Captain Lacroix (Pierre Semmler), Lindbergh (Regula Grauwiller), Yoshida (Yangzom Brauen), Prokoff (Claude-Oliver Rudolph), and Vespucci (Michael Finger).


Crew members spend most of the fully automated flight in deep cryosleep while one person stays awake in 8 ½ month shifts to monitor the space ship. Due to the current terrorist threat from the radical Neo-Luddite group "Maschinenstürmer" ("Machine Strikers"), there is also an additional security person aboard: Samuel Decker (Martin Rapold). Toward the end of her shift, Portmann hears unusual noises from the cargo bay, and she feels observed. Her colleagues are awakened, and together the crew sets out to investigate the cold cargo space.


During the search, Captain Lacroix falls to his death from the cargo containers under mysterious circumstances. When footage from Lacroix's artificial eye is reviewed by Portmann, she discovers that he saw containers marked "BIOHAZARD" in the ship's hold, despite assurance that they were transporting construction materials. When Decker and Portmann investigate, they find a room filled with cases containing humans in deep cryosleep.


Upon examining a young girl from the hold, Portmann finds a "perfected" virtual reality connector embedded in the girl's spine. Later, Portmann sends an account of her finding to her sister on Rhea, and receives a reply in 20 minutes, rather than the usual matter of months. Lindbergh arrests Decker on suspicion of Lacroix's murder, and Decker reveals to Portmann that they are not flying to Station #42, but to Rhea. Her curiosity piqued, Portmann asks Yoshida to check the ship's travel coordinates, which confirm that they are not heading towards Station #42. Later, Portmann finds Yoshida dead on the lower levels.


In response to the gruesome discovery, Lindbergh organizes search teams to find whoever killed Yoshida. While searching the lower levels, Portmann is attacked by a figure in a large coat, but saved by someone shooting the man in the back. Portmann recognizes the assailant as Klaus Bruckner, leader of the "Maschinenstürmer". Portmann's savior is revealed to be Decker, Klaus Bruckner's teammate working undercover as an RBS agent. Lindbergh realizes that Portmann doesn't trust her and restrains her too, revealing to her that Rhea is a giant virtual reality simulation on a station in orbit around the actual, uninhabitable, planet. The crew are actually on their way to Rhea, but Lindbergh intends to execute Portmann and Decker before they arrive. Prokoff and Vespucci overhear Lindbergh and overpower her, freeing Portmann.


The four make a plan to enter Rhea and free Portmann's sister, while destroying the telecommunications antenna, ceasing broadcasts from Rhea's station. Prokoff and Vespucci decide to stay on Rhea, choosing virtual reality's paradise to real life. Decker sets the explosives on the antennae while Portmann cares for the young girl she found. When she sets out from the airlock, Portmann realizes that her fuel cell is faulty and her jetpack is broken. Luckily, she is caught by Decker and the two find Portmann's sister's containment pod.


Portmann connects to the virtual world and finds her sister living happily in a beautiful house. Seeing how happy her sister and her sister's children are, Portmann decides to leave without telling them that their world is a simulation. However, before she leaves, she sends out a broadcast revealing the truth about Rhea and the news that Earth is habitable again.

Back in reality, Decker gives Portmann his fuel cell so she can get back to the Kassandra. A sudden shockwave from the force of the Kassandra's engine igniting blows Decker away and Portmann tearfully returns to the ship. The explosives on the antennae detonate as the Kassandra floats away.


Back on board the Kassandra, Portmann is confronted again by the escaped Lindbergh, who attempts to kill her. Portmann forces Lindbergh into an airlock, which blows her out into deep space. Portmann then returns to the young girl and cares for her. The film ends with Portmann's broadcast from Rhea airing on news stations everywhere.


Director: Ivan Engler; Ralph Etter

Writer: Ivan Engler; Patrik Steinmann; Arnold Bucher

Stars: Anna-Katharina Schwabroh: Laura Portmann; Martin Rapold; Michael Finger; Claude-Oliver Rudolph; Yangzom Brauen; Pierre Semmler; Regula Grauwiller; Gilles Tschudi; Maria Boettner

The Chronicles of Riddick
The Chronicles of Riddick

The Chronicles Of Riddick [2004]


The Chronicles of Riddick is a 2004 American science fiction film. It follows the adventures of Richard B. Riddick, as he attempts to elude capture after the events depicted in the 2000 film Pitch Black, and details his meeting with Jack and Imam, his escape from the prison planet Crematoria, and his battle with the Necromonger fleet. It was directed by David Twohy, also the director of Pitch Black, and stars Vin Diesel (also co-producer), Karl Urban, Alexa Davalos, Thandie Newton, Colm Feore, with Judi Dench, and Keith David. The critical and commercial response was mixed. After the release of the film, The Chronicles of Riddick became the brand name of the series.



The film opens with a narrative, explaining the motives of the Necromongers, a race of conquerors traveling across space toward the Underverse, a dark mirror of the normal universe where death has no meaning. Their leader, the Lord Marshal (Colm Feore), commands his troops to overrun worlds and convert their inhabitants into Necromongers; those who oppose conversion are killed.


The story begins on the icy world of the planet U.V.6 where Richard B. Riddick (Vin Diesel) is evading bounty hunter Toombs (Nick Chinlund) and his crew. Toombs is trying to collect the 1.5 million bounty placed on Riddick's head. Riddick kills or disables all but Toombs and leaves the planet with their ship, setting a course for the planet Helion Prime, from which the bounty originated.....


Director: David Twohy

Writer: David Twohy

Stars:Vin Diesel;Karl Urban; Judi Dench; Thandie Newton; Nick Chinlund; Colm Feore; Alexa Davalos 

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Source for these summary's of these movies : Wikipedia & IMDB

Write a comment

Comments: 2
  • #1

    Samuel Spink (Tuesday, 02 September 2014 15:21)

    Wow this is an awesome list, I've watched about half of these but I'm going to put the rest on my to watch list!

    By the way you're missing my all time favourite science fiction movie, The Abyss

  • #2

    SF Series And Movies (Thursday, 04 September 2014 07:22)

    U R absolutely correct! I will add The Abyss asap.

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